- BPM
- 89
- Key
- G Major
- Camelot
- 9B
Winter Pages: V. Dorchester Avenue by Ned Rorem, Ida Kavafian, Fred Sherry, Charles Wadsworth, Todd Palmer, Frank Morelli Song Details
"Winter Pages: V. Dorchester Avenue" by Ned Rorem, Ida Kavafian, Fred Sherry, Charles Wadsworth, Todd Palmer, Frank Morelli had its release date on January 1, 1992. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Ned Rorem: Winter Pages/Bright Music". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Winter Pages: V. Dorchester Avenue is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Winter Pages: V. Dorchester Avenue by Ned Rorem, Ida Kavafian, Fred Sherry, Charles Wadsworth, Todd Palmer, Frank Morelli having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -33.181 dB
- Acousticness
- 98%
- Danceability
- 22%
- Energy
- 1%
- Instrumentalness
- 98%
- Liveness
- 11%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | E Major | 0 | 12B | 86 BPM | |
 | Serenade for String Orchestra in C Major, Op. 48, TH 48 (Arr. for Piano by Peter Breiner): III. Elegia. Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | |
 | Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | |
 | Rorem : Clouds | Ned Rorem, Susan Graham, Ensemble Oriol | E Major | 0 | 12B | 178 BPM | |
 | Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | |
 | Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | E Major | 0 | 12B | 86 BPM | |
 | Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | E Major | 0 | 12B | 86 BPM | |
 | Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | |
 | Le Joie de Pierre-Auguste: Adagio. Como Cada Mañana Entre el Dolor y la Belleza... | Ramón Paus, Irene Cantos | G Major | 1 | 9B | 63 BPM | |
 | Humoreske in B-Flat Major, Op. 20: Einfach und zart – Intermezzo - Excerpt | Robert Schumann, Luca Buratto | G Major | 1 | 9B | 71 BPM | |
 | Lo, How a Rose | Jocelyn Hagen, Timothy C. Takach, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | B Minor | 1 | 10A | 85 BPM | |
 | Nocturne | Lili Boulanger, Emily Sun, Andrea Lam | F Major | 1 | 7B | 95 BPM | |
 | Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | |
 | Sing My Soul His Wondrous Love | Ned Rorem, The Incarnation Choir, Scott Dettra | B♭ Major | 1 | 6B | 80 BPM | |
 | Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | |
 | Nymphs and Fauns Arabesque - Duo-Art 5509 | Herman Bemberg, McNair Ilgenfritz, Peter Phillips | D♭ Major | 1 | 3B | 88 BPM | |
| Summer Music, Op. 31: II. Lively, Still Faster | Samuel Barber, Ensemble Ouranos | E Major | 0 | 12B | 86 BPM | |
 | Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | |
 | Violin Sonata in A Minor: III. Minuetto | Sergei Taneyev, Boris Brovtsyn, Eldar Nebolsin | C Major | 0 | 8B | 58 BPM | |
| Rorem : Santa Fe Songs : II Opus 101 | Ned Rorem, Susan Graham, Ensemble Oriol | C Major | 0 | 8B | 163 BPM | |
 | Our Town, Act II: "Hello There, George. Howdy, Emily" | Ned Rorem, Matthew DiBattista, Brendan Buckley, Margot Rood, Glorivy Arroyo, Gil Rose | C Major | 1 | 8B | 95 BPM | |
 | The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | |
 | Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Dartington Piano Trio | D Minor | 2 | 7A | 87 BPM | |
 | Love | Ned Rorem, Thomas Lodge, Aaron Parks, Almaz Yebio | F Major | 1 | 7B | 134 BPM | |
 | Die Dreigroschenoper: Barbarasong (Arr. for Voice, Double Bass, Piano & Accordion by Katie Bray, Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, Katie Bray, William Vann, Murray Grainger, Marianne Schofield | E Major | 0 | 12B | 86 BPM |
- ISRC
- US4QP0441605
- Label
- L-M Records/RCA Records