Jon Everist, Paradox Interactive's ' "Wolf at the Door" was released on its scheduled release date, April 24, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 35 out of 48 in Battletech (Original Game Soundtrack) by Jon Everist, Paradox Interactive. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Wolf at the Door's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Wolf at the Door by Jon Everist, Paradox Interactive is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Darkest of Days | Piotr Musiał | F Minor | 3 | 4A | 87 BPM | ||
| For All Mankind (Opening Cinematic) | Jon Everist, Paradox Interactive | A Minor | 2 | 8A | 110 BPM | ||
| Wolf at the Door | Jon Everist, Paradox Interactive | F Major | 8 | 7B | 144 BPM | ||
| Stay a While | Jon Everist | D♭ Major | 3 | 3B | 120 BPM | ||
| Swordwind | Paul Leonard-Morgan | F Minor | 8 | 4A | 120 BPM | ||
| Templars of the Ivory Labyrinth | Dmitry V. Silantyev | A♭ Major | 9 | 4B | 116 BPM | ||
| The Three Towers | Stephen Barton | A♭ Major | 4 | 4B | 120 BPM | ||
| Deadzone | Sascha Dikiciyan | C Major | 3 | 8B | 115 BPM | ||
| Barret's Theme - Bitter Memories - FF7 Rebirth OST Ver. | 植松 伸夫 | B♭ Minor | 3 | 3A | 130 BPM | ||
| Longing for Accidental Contact | Dynamedion | G Minor | 2 | 6A | 110 BPM | ||
| Orwell (Title Theme) | feeding | ear | F Minor | 1 | 4A | 142 BPM | ||
| Butterfly (Original Game Soundtrack) | Adam Skorupa, Krzysztof Wierzynkiewicz, Michal Cielecki | D♭ Major | 1 | 3B | 63 BPM | ||
| Don’t Stand In My Way | Petri Alanko | A♭ Major | 7 | 4B | 120 BPM | ||
| Prison Escape | Maxime Hervé | A♭ Major | 2 | 4B | 100 BPM | ||
| Remember Me - Alternate Version | Jon Everist, Paradox Interactive | C Minor | 1 | 5A | 140 BPM | ||
| O Muse | Michael Curran | B♭ Major | 3 | 6B | 100 BPM | ||
| Combat & Extras: Combat - High Intensity - Engagement - Section 4 | Erasmus Talbot | G Minor | 6 | 6A | 145 BPM | ||
| What Lies Beyond Those Hills | Michiel van den Bos | A Minor | 4 | 8A | 104 BPM | ||
| Miranda | David Kates | D Minor | 3 | 7A | 127 BPM | ||
| The Argo | Jon Everist, Paradox Interactive | F Minor | 4 | 4A | 150 BPM | ||
| Strangers and Autolabors | Chris Tilton | F Minor | 4 | 4A | 165 BPM | ||
| Bile and Venom | Jon Everist, Paradox Interactive | C Minor | 5 | 5A | 143 BPM | ||
| Maria | Behruz Qarayev, Bixpat | D♭ Major | 1 | 3B | 90 BPM | ||
| Life in Galaxy | Benny Marshal, Benny King | F Minor | 3 | 4A | 66 BPM | ||
| A Welcome Respite | Jon Everist, Paradox Interactive | G Major | 5 | 9B | 100 BPM |