"Die Albträume des Todes" by Marcelo Nisinman, Maja Bogdanovic, Daniel Rowland had its release date on March 13, 2020. This song appears to be safe for all ages as it is not explicit. There are a total of 13 in the song's album "Pas de deux". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Die Albträume des Todes is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Albträume des Todes by Marcelo Nisinman, Maja Bogdanovic, Daniel Rowland having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | A Major | 1 | 11B | 90 BPM | ||
| Nin: 20 Cantos Populares Españoles: No. 6, Granadina, Chant D'Espagne Pour Violoncelle Et Piano (Arr. Kochanski for Cello and Piano) | Joaquin Nin, Paul Tortelier, John Newmark | D Major | 1 | 10B | 84 BPM | ||
| C'est fini | Marcelo Nisinman, Daniel Rowland, Natacha Kudritskaya, Maja Bogdanovic, Zoran Marković | F Major | 3 | 7B | 80 BPM | ||
| Sonate pour flûte et piano, Op. 64: IV. Finale. Moderato - Grazioso | Mel Bonis, Mathilde Calderini, Aurèle Marthan | D♭ Minor | 2 | 12A | 111 BPM | ||
| I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | ||
| 24 Préludes, Op. 28: No. 4 in E Minor, Largo (Arr. for Cello and Piano by A. Franchomme) [Adapted by C. Thomas] | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 2 | 10B | 176 BPM | ||
| 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5, Nana | Manuel de Falla, David Desimpelaere, Erik Desimpelaere | B♭ Major | 2 | 6B | 85 BPM | ||
| Harpsichord Sonata No. 18: Cantabile (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | A Major | 1 | 11B | 90 BPM | ||
| "Kol Nidrei" Adagio for Cello and Orchestra, Op. 47: I. Adagio ma non troppo | Max Bruch, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | D Minor | 1 | 7A | 117 BPM | ||
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | ||
| Tartiniana seconda: I. Pastorale | Luigi Dallapiccola, Duccio Ceccanti, Roberto Prosseda | A Minor | 0 | 8A | 81 BPM | ||
| Sonata for Violoncello and Piano No. 1 in C Minor, Op. 32: III. Allegro moderato | Camille Saint-Saëns, Mischa Maisky, Daria Hovora | C Minor | 2 | 5A | 98 BPM | ||
| 12 Album Leaves, Op. 51: No. 1 in E Major. Con moto | Reinhold Glière, Maja Bogdanovic, Maria Belooussova | F♯ Minor | 1 | 11A | 90 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | ||
| Quartet No. 8 in A Major, M.S.42: IV. Rondò, Allegretto | Niccolò Paganini, Daniel Rowland, Maja Bogdanovic, Alberto Mesirca, Vladimir Mendelssohn | B Major | 1 | 1B | 129 BPM | ||
| Románc (Arr. for Cello & String Orchestra by Mariusz Smolij) | Eugene Zador, Richard Rozsa, MÁV Symphony Orchestra, Budapest, Mariusz Smolij | F Major | 2 | 7B | 93 BPM | ||
| DANCE: V. when you’re perfectly free | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | G Major | 3 | 9B | 113 BPM | ||
| Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | A Major | 1 | 11B | 90 BPM | ||
| Sapphische Ode | Johannes Brahms, Jungin Huh | D Major | 1 | 10B | 74 BPM | ||
| 12 Album Leaves, Op. 51: No. 8 in F-Sharp Minor. Affanato | Reinhold Glière, Maja Bogdanovic, Maria Belooussova | B Minor | 2 | 10A | 119 BPM | ||
| From Jewish Folk Poetry, Op. 79: III. Lullaby (Arr. for Cello and String Orchestra) | Dmitri Shostakovich, Sol Gabetta | D♭ Major | 1 | 3B | 140 BPM | ||
| From Jewish Life, B. 54: I. Prayer | Ernest Bloch, Emmanuelle Bertrand, Pascal Amoyel | D♭ Major | 1 | 3B | 149 BPM | ||
| Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | G Major | 2 | 9B | 90 BPM |