Bhakta Raj Acharya's ' "Ram Yahi Chhana" was released on its scheduled release date, March 31, 2005. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Samarpan Bhajan-1". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Norway. Based on our statistics, Ram Yahi Chhana's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Ram Yahi Chhana by Bhakta Raj Acharya having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Timi Jun Raharle | Dibya Khaling, Narayan Gopal | A♭ Major | 3 | 4B | 139 BPM | ||
| Nati Amago Bari Jaio | Gostho Gopal Das | F Major | 5 | 7B | 112 BPM | ||
| Bandano Govinda | Shashidhar Kote | A♭ Minor | 6 | 1A | 177 BPM | ||
| Timilai Hasera Bida | Natikaji, Taradevi | C Major | 3 | 8B | 85 BPM | ||
| Ma Kahi Katai | Bhakta Raj Acharya | B Major | 5 | 1B | 133 BPM | ||
| Tehi Deuralima | Kandara Band | G Major | 10 | 9B | 100 BPM | ||
| Bagia Mein Amba | Asha Bhosle, Suresh Wadkar | G Major | 8 | 9B | 188 BPM | ||
| Teisa Made Malaino | Biswanath Debbarma, Sourabhee Debbarma | E♭ Major | 4 | 5B | 150 BPM | ||
| Jaladhara Neeniru | Pandit Bhimsen Joshi | F Minor | 6 | 4A | 101 BPM | ||
| Janmera Kokhama Kasaiko | Narayan Gopal | E Major | 4 | 12B | 72 BPM | ||
| Dattaguruna Smara | R.N. Paradkar | D♭ Minor | 4 | 12A | 101 BPM | ||
| Zabaanam Ra Namefaami | Ahmad Zahir | B♭ Major | 6 | 6B | 94 BPM | ||
| Sayad Timi | Kandara Band | C Major | 6 | 8B | 108 BPM | ||
| Namaste Smarannye Shibe | Shankarlal Mukherjee, Birendra Krishna Bhadra | B♭ Major | 3 | 6B | 124 BPM | ||
| Ekati Tujhyavin Rahu Kashi | Asha Bhosle | D♭ Minor | 4 | 12A | 174 BPM | ||
| Jiske Sir Par Haath Hai Tera | Hari Om Sharan | F♯ Minor | 5 | 11A | 90 BPM | ||
| Ami Andhar Bhalobasi Bole | Pannalal Bhattacharya | A♭ Minor | 4 | 1A | 70 BPM | ||
| Ghintang Ma Ghintang | Phatteman | C Major | 7 | 8B | 140 BPM | ||
| Lolayeka Ti Thula | Deepak Jangam, Gulam Ali | D♭ Major | 4 | 3B | 167 BPM | ||
| Timilai Ma Ke Bhanu | Deepak Jangam, Narayan Gopal | C Minor | 7 | 5A | 136 BPM | ||
| Daya Maado Ranga | Bhimsen Joshi | E Minor | 4 | 9A | 88 BPM | ||
| Yaha Jindagile | Bhakta Raj Acharya | C Major | 5 | 8B | 99 BPM | ||
| Khorer Protima Pujis Re Tora | Swaraj Roy | A Major | 4 | 11B | 160 BPM | ||
| Aau Aba | Suresh kumar | F Major | 3 | 7B | 70 BPM | ||
| Hajar Sapanaharu | Bhakta Raj Acharya | B♭ Major | 4 | 6B | 157 BPM |