Robert de Visée, Andrés Segovia's 'Robert de Visée: Minuet II' had a release date set for January 1, 1944. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Robert de Visée: Minuet II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Father Of The Classical Guitar (1944)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Greece. Robert de Visée: Minuet II is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Robert de Visée: Minuet II by Robert de Visée, Andrés Segovia having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite in D Minor: V. Les derniers paroles | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | ||
| Prelude a la manière de Carillon | Adam Falckenhagen, Andrew Maginley | D♭ Major | 1 | 3B | 81 BPM | ||
| Armoniosi toni di varie suonate musicali, Op. 7: Tocatta | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | A♭ Minor | 0 | 1A | 97 BPM | ||
| A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
| Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Minor | 2 | 12A | 129 BPM | ||
| Lute Sonata No. 6: I. Alemanda | Giovanni Zamboni, Luciano Còntini | B♭ Major | 1 | 6B | 141 BPM | ||
| Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
| Canarios | Antonio de Santa Cruz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 111 BPM | ||
| Suite in D Minor: III. L'adieu | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | B♭ Major | 1 | 6B | 141 BPM | ||
| Tres diferencias de Guárdame las vacas por otra parte, Book VI | Luis de Narváez, Xavier Diaz-Latorre | C Minor | 1 | 5A | 73 BPM | ||
| D'Anglebert: Suite No. 3 en ré mineur: I. Prélude | Jean-Henri d'Anglebert, Jean Rondeau | D♭ Major | 1 | 3B | 83 BPM | ||
| Lute Sonata No. 9: IV. Sarabanda | Giovanni Zamboni, Luciano Còntini | D♭ Major | 1 | 3B | 122 BPM | ||
| De Visée: Livre de pièces pour la guitare, Suite No. 11 en si mineur: I. Prélude | Manuel Barrueco | B Minor | 1 | 10A | 112 BPM | ||
| De Fuenllana : Christe | Heringman | A Minor | 0 | 8A | 62 BPM | ||
| Haulberroys (Attaignant) | Edward Martin | G Minor | 1 | 6A | 82 BPM | ||
| Lute Sonata No. 9: I. Preludio | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 0 | 12A | 179 BPM | ||
| Ciaccona for 2 Treble Instruments & Continuo, Op. 12 No. 20 | Tarquinio Merula, Leila Schayegh, La Centifolia | B Major | 2 | 1B | 80 BPM | ||
| Branles de village | Robert Ballard, Massimo Marchese | A Minor | 1 | 8A | 78 BPM | ||
| Dowland's Tears (Arr. N. North of I Saw My Lady Weep) | Nigel North | D♭ Major | 1 | 3B | 128 BPM | ||
| Rondo Allegretto | Johan Wilhelm Ankar, Anders Ericson | F♯ Minor | 2 | 11A | 105 BPM | ||
| Lute Sonata in E-Flat Major, Op. 1, No. 2: III. Vivace | Adam Falckenhagen, Andrew Maginley | D♭ Minor | 2 | 12A | 91 BPM | ||
| Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
| D'Anglebert: Suite No. 3 en ré mineur: VI. Sarabande Grave. Lentement | Jean-Henri d'Anglebert, Jean Rondeau, Thomas Dunford | A♭ Minor | 1 | 1A | 76 BPM |