"Enigma Variations: Dorabella (Intermezzo)" by London Philharmonic Orchestra had its release date on 1998. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Enigma Variations: Dorabella (Intermezzo)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 20 in Elgar: Enigma Variations by Paul Daniel. Enigma Variations: Dorabella (Intermezzo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations: Dorabella (Intermezzo) by London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wolf-Ferrari: I gioielli della Madonna, Act 2: Intermezzo | Ermanno Wolf-Ferrari, Sir Adrian Boult, Richard Adeney, London Philharmonic Orchestra | B Major | 1 | 1B | 167 BPM | ||
| Fantasia On a Theme By Thomas Tallis | Ralph Vaughan Williams, Sir Adrian Boult, London Philharmonic Orchestra | C Minor | 1 | 5A | 102 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| La traviata / Act 1: Prelude | Giuseppe Verdi, National Philharmonic Orchestra, Richard Bonynge | B Major | 1 | 1B | 119 BPM | ||
| Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
| Bagatelle No. 25 in a Minor, WoO 59 : "Für Elise" | Rik | D♭ Major | 0 | 3B | 64 BPM | ||
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Finghin Collins | D♭ Minor | 0 | 12A | 170 BPM | ||
| Tintinnabulum | Karl Jenkins, Mike Ratledge, Adiemus, London Philharmonic Orchestra, Jody K. Jenkins, Miriam Stockley, Mary Carewe, Frank Ricotti | C Major | 3 | 8B | 150 BPM | ||
| Holst: The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | F Major | 2 | 7B | 123 BPM | ||
| Mozart / Compl. Beyer: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, London Philharmonic Orchestra, David Bell, London Philharmonic Choir, Franz Welser-Möst | D Minor | 0 | 7A | 78 BPM | ||
| The Godfather: V. Love Theme | Nino Rota, Riccardo Muti, Massimo Colombo, Filarmonica della Scala, Milan La Scala Philharmonic Orchestra | D♭ Major | 1 | 3B | 88 BPM | ||
| 4th Movement: Allegro Con Fuocho | London Philharmonic Orchestra | E Minor | 1 | 9A | 140 BPM | ||
| Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
| The Elevator | Rachel Porter's All Female Orchestra | B Major | 1 | 1B | 167 BPM | ||
| String Quintet in E Major, G. 282: III. Minuetto - Trio | Luigi Boccherini, David Parry, London Philharmonic Orchestra | A Major | 1 | 11B | 89 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Theme From Schindler's List | John Williams, Itzhak Perlman, Boston Symphony Orchestra | D Minor | 1 | 7A | 99 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: Air | London Philharmonic Orchestra | D Major | 2 | 10B | 71 BPM | ||
| Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest" | George Frideric Handel, Andrew Davis, Royal Choral Society, London Philharmonic Orchestra | D Major | 2 | 10B | 118 BPM | ||
| Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | E Major | 2 | 12B | 91 BPM | ||
| Symphony No. 7 Op. 92: II. Allegretto (Beethoven) | Orchestra Di Padova E Del Veneto & Peter Maag | E Minor | 0 | 9A | 128 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Kashmir | London Philharmonic Orchestra, Peter Scholes | D Minor | 4 | 7A | 80 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
| Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Minor | 2 | 5A | 185 BPM |