- BPM
- 78
- Key
- D Major
- Camelot
- 10B
Morning by The Symphonic Strings Song Details
"Morning" by The Symphonic Strings had its release date on September 28, 2018. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 20 All Time Classical Greats, so we believe that "Morning" is a single. Morning is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Morning by The Symphonic Strings is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -16.262 dB
- Acousticness
- 71%
- Danceability
- 17%
- Energy
- 21%
- Instrumentalness
- 47%
- Liveness
- 65%
- Loudness
- 73%
- Speechiness
- 5%
- Valence
- 11%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | |
 | Verdi: Ballet (Otello): Verdi: Ballet (Otello) | Giuseppe Verdi, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 120 BPM | |
 | St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | D Minor | 2 | 7A | 84 BPM | |
 | Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | |
 | Violin Concerto | The Symphonic Strings | D Major | 2 | 10B | 78 BPM | |
 | Danza delle ore | Orchestra Italiana | E Major | 1 | 12B | 80 BPM | |
| Morning | The Symphonic Strings | D Major | 2 | 10B | 78 BPM | |
 | Diana and Actaeon: Pas de deux (Arr. March) | Riccardo Drigo, English Chamber Orchestra, Richard Bonynge | A Major | 2 | 11B | 98 BPM | |
 | Swan lake Dance of the Little Swans | SC-Mirai | B Minor | 1 | 10A | 104 BPM | |
 | Summer (L'Estate) Op.8 No.2 G Minor: Presto (Tempo Impettuoso d'Estate) | Baroque Festival Orchestra, Alberto Lizzio | C Minor | 2 | 5A | 140 BPM | |
 | Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | |
 | Romeo and Juliet, Op. 64 - Act 1: Masks | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 84 BPM | |
 | The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | A Major | 2 | 11B | 70 BPM | |
 | Blumenlied | Bremer Kaffeehaus-Orchester | F Major | 0 | 7B | 169 BPM | |
 | Clog Dance (La Fille Mal Gardee) | The Regency House Orchestra | G Minor | 2 | 6A | 130 BPM | |
 | Funeral March of a Marionette | Philharmonic Wind Orchestra | C Minor | 5 | 5A | 130 BPM | |
 | Comedian's Galop from "The Comedians, Op. 26" | Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra | C Major | 5 | 8B | 83 BPM | |
 | Le Corsaire, Pas de deux: II. Allegro: Tempo di Valse. Men's Variation (Arr. J. Lanchberry) | Riccardo Drigo, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 89 BPM | |
 | Harlequinade: Pas de deux: Female Variation | Riccardo Eugenio Drigo, Charles Mathews | A Major | 1 | 11B | 105 BPM | |
 | Don Quixote: Act I: Street Dancer and Toreador | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 3 | 8B | 123 BPM | |
 | Raymonda, Act III: Coda | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 4 | 7A | 166 BPM | |
 | Saint-Saëns: Danse macabre, Op. 40 | Camille Saint-Saëns, Orchestre Philharmonique De Strasbourg, Marko Letonja | G Minor | 1 | 6A | 149 BPM | |
 | Giselle, Act 2: No. 12 Ensemble Dance of the Wilis, Lead Wilis’ Variations, Myrtha’s Second, Variation, Lead Wilis and ensemble | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | |
 | Exeter Polka, Op. 294 | Johann Strauss I, Wiener Biedermeier Solisten | D Major | 2 | 10B | 108 BPM | |
 | Giselle: Act II: Ensemble des Wilis | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 89 BPM |
- ISRC
- AUV401481562
- Label
- L-M Records/RCA Records