"String Octet in C Major, Op. 7 (Version for String Orchestra): Très marqué" by George Enescu, Tabea Zimmermann, Ensemble Resonanz had its release date on November 7, 2025. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 11 out of 23 in Enescu: String Octet, Op. 7 – Britten: Lachrymae, Op. 48a (Versions for string orchestra) by Tabea Zimmermann, Ensemble Resonanz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. String Octet in C Major, Op. 7 (Version for String Orchestra): Très marqué is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Octet in C Major, Op. 7 (Version for String Orchestra): Très marqué by George Enescu, Tabea Zimmermann, Ensemble Resonanz is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kodály: Intermezzo for String Trio | Zoltán Kodály, Domus | D Minor | 1 | 7A | 88 BPM | ||
| Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 4. Horn Dance (from Bisztra) | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 1 | 10B | 170 BPM | ||
| Lakes, Mists, Bats, Daggers and Fountains: IV. Always light and airy | Laurence Osborn, 12 Ensemble | F Major | 0 | 7B | 79 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM | ||
| L'Invitation au voyage (Transc. for Cello and Piano by Camille Thomas) | Henri Duparc, Camille Thomas, Julien Libeer | A Minor | 1 | 8A | 171 BPM | ||
| Pletnev: 14 Mémoires musicales: Romance | Mikhail Pletnev, Rachmaninoff International Orchestra | B Minor | 1 | 10A | 138 BPM | ||
| The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| D'Indy : Symphonie sur un chant montagnard, 'Cévenole' Op.25 : II Assez modéré, mais sans lenteur | Vincent d'Indy, Marek Janowski, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 56 BPM | ||
| Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Vilde Frang, James Gaffigan, Hr-sinfonieorchester | G Major | 1 | 9B | 76 BPM | ||
| Impromptu in A-Flat Major | George Enescu, Raluca Stirbat | D Minor | 1 | 7A | 130 BPM | ||
| Badian: Concerto for Piano & Orchestra, Pt. 3 (Live) | Maya Badian, Winnipeg Symphony Orchestra, Peter Tiefenbach | G Minor | 5 | 6A | 74 BPM | ||
| Szymanowski: Piano Sonata No. 3, Op. 36: II. Adagio. Mesto | Karol Szymanowski, Piotr Anderszewski | E Minor | 0 | 9A | 69 BPM | ||
| Regrets in G-Flat Major | George Enescu, Raluca Stirbat | D Minor | 1 | 7A | 130 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Nocturne No. 11, Op. 104 No. 1 | Gabriel Fauré, Louis Lortie | E Minor | 0 | 9A | 62 BPM | ||
| Aurora Reverb | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| String Quartet in E-Flat Major, Op. 12: II. Canzonetta. Allegretto | Felix Mendelssohn, Leipziger Streichquartett | F Major | 0 | 7B | 79 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: II. Scherzo (Molto vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A♭ Major | 1 | 4B | 82 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: IIIa. Allegro moderato – Molto meno mosso | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) | Christoph Willibald Gluck, Vilde Frang | D Minor | 0 | 7A | 164 BPM | ||
| Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Piotr Anderszewski | F Major | 0 | 7B | 79 BPM | ||
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (c) Variation II | Joseph Haydn, Quatuor Arod | C Minor | 2 | 5A | 82 BPM | ||
| Digital Aurora | Lumi Risto | C Minor | 8 | 5A | 112 BPM | ||
| 5 Pieces for String Quartet: No. 1, Alla Valse Viennese | Erwin Schulhoff, Aviv Quartet | C Major | 2 | 8B | 82 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM |