Shiva Shankar, Bhakta Raj Acharya's ' "Mayako Taar" was released on its scheduled release date, April 15, 2004. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 15 in Bitulo Bishwas by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Based on our statistics, Mayako Taar's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mayako Taar by Shiva Shankar, Bhakta Raj Acharya is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 1/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhagawan Jeevan Nau | Bhakta Raj Acharya | A♭ Major | 6 | 4B | 87 BPM | ||
| Tara Matra Hoina | Premdhoj Pradhan | D♭ Major | 5 | 3B | 61 BPM | ||
| Neekai Vechithinayya | P. Susheela | C Major | 5 | 8B | 96 BPM | ||
| Sarada Ramakrishna Namer | Mahesh Ranjan Shome | G Major | 5 | 9B | 140 BPM | ||
| Kato Dur Aar Kato Dur | Aarti Mukherji | C Minor | 2 | 5A | 91 BPM | ||
| Tere Dil Mein Rehna Hai | Anuradha Paudwal, Mohammed Aziz | B♭ Minor | 6 | 3A | 79 BPM | ||
| Jiske Sir Par Haath Hai Tera | Hari Om Sharan | F♯ Minor | 5 | 11A | 90 BPM | ||
| Tinai Hun Meri Aama | Budha Subba | F Minor | 9 | 4A | 170 BPM | ||
| Ashariri Shakti Tume | Anuradha Paudwal, Indrajeet | E♭ Major | 2 | 5B | 172 BPM | ||
| Takar Jonno She Amare | Hamid Ali | E Minor | 8 | 9A | 136 BPM | ||
| Commentary & Hit (Flash) Of 1966- No 3 And Phir Miloge Kabhi | Asha Bhosle, Mohammed Rafi, Ameen Sayani | E Major | 2 | 12B | 144 BPM | ||
| Mone Rabe Ki Na Rabe Amare | Hemant Kumar | C Major | 3 | 8B | 135 BPM | ||
| Mangaldeep Jwele,Pt. 3 | Bappi Lahiri | G Major | 5 | 9B | 117 BPM | ||
| Merona Merona Jallad Re | Sabina Yasmin, Tojamel Haque Bakul | F♯ Major | 4 | 2B | 180 BPM | ||
| Din Je Gelo Helay | Swaraj Roy | F♯ Major | 4 | 2B | 132 BPM | ||
| Garnuchha Sabale | Natikaji, Shiva Shankar, Prakash Shrestha | F♯ Major | 5 | 2B | 168 BPM | ||
| Emni Korei Jay Jodi Din Jak Na | Indrani Sen | F Major | 3 | 7B | 131 BPM | ||
| Ram Yahi Chhana | Bhakta Raj Acharya | E♭ Major | 5 | 5B | 147 BPM | ||
| Ma Tvam hi tara | Ramakrishna Math, Mahesh Ranjan Shome | D♭ Major | 2 | 3B | 130 BPM | ||
| Nee Kondaku Neeve | Ghantasala | F♯ Major | 1 | 2B | 134 BPM | ||
| Teisa Made Malaino | Biswanath Debbarma, Sourabhee Debbarma | E♭ Major | 4 | 5B | 150 BPM | ||
| Daddy Yaad Aate Hain | Baby Munmi, Kavita Krishnamurthy | A♭ Major | 7 | 4B | 99 BPM | ||
| Radha Rani Ke Charanon Mein | Pure Bhakti Melody | F♯ Major | 3 | 2B | 125 BPM | ||
| Rajpoot Ka Chhora Yadav Ji Ki Yari | Shubham Jaiswal, Shiva Shankar | A♭ Minor | 9 | 1A | 138 BPM | ||
| Ishara Ta Garnubhayo | Shiva Shankar, Taradevi | C Minor | 4 | 5A | 135 BPM |