Max Reger, Marc-André Hamelin's 'Variations & Fugue on a Theme by Telemann, Op. 134: Var. 2, L'istesso tempo' had a release date set for January 1, 1999. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 46 in the song's album "Reger: Piano Music - Bach Variations, Telemann Variations etc.". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. The popularity of Variations & Fugue on a Theme by Telemann, Op. 134: Var. 2, L'istesso tempo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations & Fugue on a Theme by Telemann, Op. 134: Var. 2, L'istesso tempo by Max Reger, Marc-André Hamelin having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | ||
| A Comedy Overture, Op. 120 | Max Reger, Bamberg Symphony, Horst Stein | D Minor | 1 | 7A | 121 BPM | ||
| Hashir Hashem Luchem | Jay Anthony Gach, Kühn Choir Of Prague, Jakub Pikla | G Major | 1 | 9B | 132 BPM | ||
| L'Ondine, Op. 101 | Cécile Chaminade, Anette Muller-Roos | E♭ Major | 1 | 5B | 80 BPM | ||
| Divertimento in D Major, Hob. XI.113: I. Adagio | Franz Joseph Haydn, Denis Brott, Samuel Sanders | D Major | 1 | 10B | 145 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | ||
| Passione amorose: III. Allegretto (Orchestrated by G. Jardanyi) | Giovanni Bottesini, Gergely Jardanyi, Odon Racz, Budapest Chamber Symphony, János Ács | A Major | 0 | 11B | 179 BPM | ||
| Messe Solennelle, Op. 16 - Kyrie | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | D♭ Minor | 2 | 12A | 70 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
| Winter Dream | Young Sook Lee | F Major | 2 | 7B | 72 BPM | ||
| Pierné: 6 Pièces posthumes: No. 1, Prélude sur le nom de Paul Dukas, pour son tombeau | Gabriel Pierné, Diane Andersen | C Major | 1 | 8B | 80 BPM | ||
| Hahn: Le rossignol éperdu: No. 52, Hivernale (Version for Piano) | Reynaldo Hahn, Shani Diluka | F♯ Minor | 0 | 11A | 137 BPM | ||
| Chromatische Fantasie und Fuge: I. Fantasia. Vivacissimo | Johann Sebastian Bach, Max Reger, Jörg Halubek | A♭ Major | 0 | 4B | 96 BPM | ||
| Liszt: Années de pèlerinage, Première année "Suisse", S. 160: No. 2, Au lac de Wallenstadt | Franz Liszt, György Cziffra | A♭ Major | 0 | 4B | 136 BPM | ||
| Nocturne No. 11, Op. 104 No. 1 | Gabriel Fauré, Louis Lortie | E Minor | 0 | 9A | 62 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | A♭ Major | 0 | 4B | 96 BPM | ||
| Remember Me (Arr. Hough for Piano) - From "Coco" | Stephen Hough | A♭ Major | 0 | 4B | 96 BPM | ||
| Blumenleben, Op. 19: No. 2, Veilchen | Dora Pejačević, Natasa Veljkovic | B♭ Major | 0 | 6B | 171 BPM | ||
| Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice Korovitch | D Major | 0 | 10B | 67 BPM | ||
| Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Leif Ove Andsnes, Christian Tetzlaff, Tanja Tetzlaff | D Minor | 0 | 7A | 84 BPM | ||
| Character Pieces, MA Ms. 44 (selections): II. Andante, in G Major | Fanny Mendelssohn, Beatrice Rauchs | G Major | 0 | 9B | 77 BPM | ||
| 2 Romances For Violin And Orchestra, Op. 50: No. 1 In G Major | Max Reger, Hans Maile, Deutsches Symphonie-Orchester Berlin, Uros Lajovic | D Major | 2 | 10B | 74 BPM | ||
| Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Deniel Perer | E Minor | 1 | 9A | 93 BPM | ||
| Piano Trio in G Minor, Op. 17: II. Scherzo. Tempo di Menuetto | Clara Schumann, Ragna Schirmer, Iason Keramidis, Benedict Kloeckner | E♭ Major | 0 | 5B | 83 BPM | ||
| Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM |