On December 26, 2000, the song "Nidiya Ke Goli Khake" was released by Tara Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Choosla Pa Meeth Lagela by Tara Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Nidiya Ke Goli Khake's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Nidiya Ke Goli Khake by Tara Rani is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rumal | Satnam Sagar, Sharanjeet Shammi | A♭ Major | 7 | 4B | 164 BPM | ||
| Ye To Bata To Barsane Wali | Bhaiya Krishan Das Ji | F♯ Major | 8 | 2B | 142 BPM | ||
| Chaar Din Ke Jinagi | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| Marad Ago Chij Haven | Tara Rani | D♭ Major | 6 | 3B | 84 BPM | ||
| Janni Nithoor Bisrayih Na Lalanwa | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Arey Logo Tumhara Kya | Abida Parveen | F Minor | 8 | 4A | 110 BPM | ||
| Maiya Mori Dulri | Bharat Sharma Vyas | E♭ Major | 7 | 5B | 109 BPM | ||
| Nahin Chahiye Dil Dukhana Kisi Ka | Pt. Gyanendra Sharma | B Major | 7 | 1B | 86 BPM | ||
| Chameli Hi Hi | Umakant Barik, Rabi | E Major | 9 | 12B | 132 BPM | ||
| Bina Patte De Khat Vangu | Sardool Sikander | A Major | 7 | 11B | 82 BPM | ||
| Mere Sir Par Sada Tera Hath Rahe | Adhishta Anushka | C Major | 10 | 8B | 145 BPM | ||
| Kera Bhusabal Wale | Jittu Khare, Laxmi Singh Thakur | B♭ Minor | 7 | 3A | 88 BPM | ||
| Chunni Lal Rang Di | Muhammad Sadiq, Ranjit Kaur | D♭ Minor | 6 | 12A | 122 BPM | ||
| Jagdamba Ghar Mein Diyra | Devi | A♭ Minor | 5 | 1A | 83 BPM | ||
| Maa Ka Naam Japle | Lakhbir Singh Lakkha | B♭ Major | 7 | 6B | 89 BPM | ||
| Bujhe Na Darad Bhav | Tara Rani | D♭ Major | 6 | 3B | 84 BPM | ||
| Kamariya Daaba A Balma | Tara Rani | D♭ Major | 6 | 3B | 84 BPM | ||
| Mane Sawara Roop Dikha De | Moinuddin Manchala, Prakash Mali | E Major | 10 | 12B | 111 BPM | ||
| Om Sakthi Om Sakthi | Unnikrishnan | B♭ Major | 7 | 6B | 155 BPM | ||
| Kadak Laxmi Aali | Ravindra Sathe | G Major | 8 | 9B | 91 BPM | ||
| Kholi Ke Khirikiya Baithe | Gopal Rai | A♭ Major | 5 | 4B | 83 BPM | ||
| Dabun Baghtoy Chiku | Anand Shinde, Sulochna Chauhaan | G Minor | 6 | 6A | 92 BPM | ||
| Khul Gaye Taale | Ram Kumar Lakha | B♭ Major | 8 | 6B | 95 BPM | ||
| Manne Ho Gaya Tere Se Pyar | Tarun Baliyan | G Major | 9 | 9B | 80 BPM | ||
| Bhullay Nu Samjawan Ayian | Sain Zahoor Ahmed | C Minor | 6 | 5A | 72 BPM |