Hans Rott, Paavo Järvi's 'Suite (Fragment): I. Scherzo. Allegro con brio' had a release date set for May 9, 2012. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hans Rott, Paavo Järvi's "Hans Rott: Sinfonien" album is number 5 out of 6. In terms of popularity, Suite (Fragment): I. Scherzo. Allegro con brio is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Suite (Fragment): I. Scherzo. Allegro con brio by Hans Rott, Paavo Järvi to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | ||
| Symphonie fantastique, H. 48: IV. Marche au supplice | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
| Symphony No. 1 in E Major: I. Alla breve | Hans Rott, Andreas Jetter | B Major | 1 | 1B | 125 BPM | ||
| Fantasia & Fugue in G Minor, BWV 542 "The Great" (Arr. for Orchestra by Sir Andrew Davis): I. Fantasia | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 10, The Young Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | D♭ Major | 0 | 3B | 76 BPM | ||
| Manfred Symphony, Op. 58, TH.28: 3. Andante con moto | Pyotr Ilyich Tchaikovsky, Czech Philharmonic, Semyon Bychkov | F Major | 1 | 7B | 114 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| IV. Intelude | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Major | 0 | 2B | 62 BPM | ||
| From the Bohemian Forest, Op. 68: No. 5, Waldesruhe (Version for Cello and Orchestra) | Antonín Dvořák, Raphaël Jouan, Orchestre national de Metz Grand Est, David Reiland | D♭ Major | 0 | 3B | 76 BPM | ||
| Elegie I. In Memoriam: Adagio | Lodewijk Mortelmans, Brussels Philharmonic, Silveer Vandenbroeck | D♭ Major | 0 | 3B | 76 BPM | ||
| L'Oiseau de feu, K10: XVI. Danse infernale de tous les sujets de Kastchei | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Major | 0 | 6B | 77 BPM | ||
| Ethereal Reverie | Sebastian Verneau | D Major | 3 | 10B | 153 BPM | ||
| Symphony No. 1 in G Minor, Op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists. Adagio cantabile ma non tanto | Pyotr Ilyich Tchaikovsky, Vladimir Jurowski, London Philharmonic Orchestra | F Minor | 0 | 4A | 71 BPM | ||
| Suite in A Major "American Suite", Op. 98b, B. 190: V. Allegro | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 1 | 11B | 71 BPM | ||
| Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
| L'oiseau de feu (1919 Suite): Ia. Introduction [Live] | Igor Stravinsky, Bavarian Radio Symphony Orchestra, Mariss Jansons | B Major | 0 | 1B | 136 BPM | ||
| Callirhoé, suite de ballet: IV. Pas des cymbales | Cécile Chaminade, Orchestre national de Metz Grand Est, David Reiland | G Major | 1 | 9B | 134 BPM | ||
| Britten: Soirées musicales, Op. 9: I. March | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | D♭ Major | 0 | 3B | 76 BPM | ||
| Jūra, MKČ 102: IV. Development, Storm | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: III. Andante | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| Capriol Suite: IV. Bransles | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
| Sinfonietta, FP 141: II. Molto vivace | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | B♭ Major | 1 | 6B | 79 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": IV. Allegro | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | E Major | 3 | 12B | 104 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": II. Poco allegretto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 0 | 8B | 77 BPM |