"Fauré: Pavane, Op. 50" by Gabriel Fauré, Paul Tortelier, English Chamber Orchestra had its release date on July 13, 2025. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. This song is part of Zen Classics - Relaxing Music by Wolfgang Amadeus Mozart, Antonio Vivaldi, Antonín Dvořák, Camille Saint-Saëns, Claude Debussy, Edvard Grieg, Erik Satie, Felix Mendelssohn, Franz Liszt, Franz Schubert, Frédéric Chopin, Gabriel Fauré, George Frideric Handel, Giovanni Battista Pergolesi, Gregorio Allegri, Gustav Mahler, Jacques Offenbach, Jean Sibelius, Johann Pachelbel, Johann Sebastian Bach, Johannes Brahms, Joseph Haydn, Jules Massenet, Ludwig van Beethoven, Maurice Ravel, Modest Mussorgsky, Pyotr Ilyich Tchaikovsky, Richard Strauss, Samuel Barber, Sergei Rachmaninoff, Tomaso Albinoni. The song's track number on the album is #30 out of 58 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Fauré: Pavane, Op. 50's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fauré: Pavane, Op. 50 by Gabriel Fauré, Paul Tortelier, English Chamber Orchestra has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Fauré: Pavane, Op. 50 being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Walküre, WWV 86B: Ride of the Valkyries | Richard Wagner, George Szell, The Cleveland Orchestra | E Major | 2 | 12B | 85 BPM | ||
| Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | ||
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" | Edward Elgar, London Philharmonic Orchestra, Ben Gernon | E♭ Major | 3 | 5B | 83 BPM | ||
| Peer Gynt, Op. 23, Act II: No. 8, In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM | ||
| Rondo in A Major, K. 386: Allegretto | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | A Major | 1 | 11B | 134 BPM | ||
| L'Isle Joyeuse | Claude Debussy, Branford Marsalis, Andrew Litton, English Chamber Orchestra | A♭ Major | 0 | 4B | 135 BPM | ||
| Pärt: Spiegel im Spiegel | Arvo Pärt, Tasmin Little, Martin Roscoe | F Major | 0 | 7B | 80 BPM | ||
| Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood | Edvard Grieg, Edward Gardner, Bergen Philharmonic Orchestra | E Major | 0 | 12B | 62 BPM | ||
| Litolff: Concerto symphonique No. 4 in D Minor, Op. 102: II. Scherzo | Henry Litolff, San Francisco Symphony, Michael Tilson Thomas | D Minor | 3 | 7A | 122 BPM | ||
| Rachmaninoff: Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, San Francisco Symphony, Michael Tilson Thomas | A Minor | 1 | 8A | 76 BPM | ||
| Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Maria João Pires, Chamber Orchestra of Europe, Claudio Abbado | F Major | 0 | 7B | 97 BPM | ||
| 3 Mélodies, Op. 7 - Arr. Hazell: 1. Après un rêve | Gabriel Fauré, Sheku Kanneh-Mason, Members Of The BBC National Orchestra Of Wales, Members of the English Chamber Orchestra, Members Of The Philharmonia Orchestra, Christopher Warren-Green | F Minor | 1 | 4A | 96 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): V. Tendresse | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
| Liszt: 6 Consolations, S. 172: No. 3 in D-Flat Major | Franz Liszt, François-René Duchâble | A♭ Major | 1 | 4B | 73 BPM | ||
| Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Julian Lloyd Webber | F Major | 1 | 7B | 86 BPM | ||
| Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner | B Minor | 1 | 10A | 84 BPM | ||
| Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, London Philharmonic Orchestra, Zdeněk Mácal | D♭ Major | 0 | 3B | 78 BPM | ||
| Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra, Oscar Shumsky | C Major | 3 | 8B | 181 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Chicago Symphony Orchestra, Claudio Abbado | F Major | 0 | 7B | 79 BPM | ||
| The Seasons, Op. 37a, TH 135: No. 6 in G Minor, June. Barcarolle | Pyotr Ilyich Tchaikovsky, Nikolai Lugansky | G Minor | 0 | 6A | 170 BPM | ||
| Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
| Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, BBC Concert Orchestra, Barry Wordsworth | D Major | 1 | 10B | 96 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
| First steps | John Barry, English Chamber Orchestra | B♭ Major | 2 | 6B | 138 BPM |