Manik Ratna's 'Mero Bitulo Bishwas' had a release date set for April 15, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 15 in Bitulo Bishwas by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Mero Bitulo Bishwas is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mero Bitulo Bishwas by Manik Ratna is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tumi Nirmal Karo | Haimanti Sukla | A Major | 2 | 11B | 119 BPM | ||
| Mero Bitulo Bishwas | Manik Ratna | G Major | 4 | 9B | 85 BPM | ||
| Tumi Aar Ami Sudhu | Shyamal Mitra | D♭ Major | 2 | 3B | 169 BPM | ||
| Bhagawan Darsan Kasari | Bhakta Raj Acharya | D♭ Major | 6 | 3B | 148 BPM | ||
| Aathoram Manaleduthu | P. B. Sreenivas, P. Susheela | D Major | 3 | 10B | 134 BPM | ||
| Ei Sundar Prithibi Chhere | Shyamal Mitra | C Major | 2 | 8B | 147 BPM | ||
| Neenaarigadayo Ele Manava | P. B. Sreenivas, Bangalore Latha | C Major | 3 | 8B | 80 BPM | ||
| Ki Dhan Ami Chaibo Raja Go | Sabina Yasmin, Tojamel Haque Bakul | A♭ Major | 5 | 4B | 109 BPM | ||
| Maff Kardo Data jI Hamre Kasoor, Dera Sacha Sauda | Rehmat Records | A♭ Minor | 7 | 1A | 166 BPM | ||
| Shyama Maa Tor Charan Tole | Swaraj Roy | A Major | 3 | 11B | 63 BPM | ||
| Odum Meghangale Oru Doothupokamo | Kannur Chandrasekaran | E Minor | 8 | 9A | 95 BPM | ||
| Mero Joban Laijau | Gopal Yonjan, Narayan Gopal, Meera Rana | C Major | 4 | 8B | 120 BPM | ||
| Dazan Khanek Pola | Gostho Gopal Das | E Major | 6 | 12B | 104 BPM | ||
| Bhagawan Jeevan Nau | Bhakta Raj Acharya | A♭ Major | 6 | 4B | 87 BPM | ||
| E Shahar Pranta | Bhupen Hazarika | B♭ Major | 4 | 6B | 135 BPM | ||
| Dolyamadhale Aansoo Pusati | Sudhir Phadke | F♯ Minor | 2 | 11A | 168 BPM | ||
| Fariya Lai Bhuima Latari | Gopal Yonjan | D♭ Major | 9 | 3B | 98 BPM | ||
| Angai Re Tanya Bala | Aparna Mayekar | G Major | 2 | 9B | 76 BPM | ||
| Kharer Protima Pujisre | Swaraj Roy | B♭ Major | 5 | 6B | 130 BPM | ||
| Namaste Smarannye Shibe | Shankarlal Mukherjee, Birendra Krishna Bhadra | B♭ Major | 3 | 6B | 124 BPM | ||
| O Pita Basudev | Rameshwar Pathak | D Major | 5 | 10B | 87 BPM | ||
| Ami Phul Na Hoye Kanta Hoye Besh | Manna Dey | E♭ Major | 3 | 5B | 93 BPM | ||
| Baje Na Banshi | S. D. Burman | F Minor | 5 | 4A | 101 BPM | ||
| Bandhu Re Mere Bandhu Re | Gulab Bai, Ishwarlal, Kantilal | A♭ Minor | 2 | 1A | 109 BPM | ||
| Kachhe Rabe Kachhe Rabe | Hemant Kumar | C Minor | 3 | 5A | 138 BPM |