"Piano Sonatine, Op. 1, No. 2: III. Allegro" by Arvo Pärt, Ralph van Raat had its release date on September 6, 2011. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Pärt: Piano Music". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Piano Sonatine, Op. 1, No. 2: III. Allegro's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonatine, Op. 1, No. 2: III. Allegro by Arvo Pärt, Ralph van Raat having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | A Major | 2 | 11B | 139 BPM | ||
| Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | ||
| Three Pieces in Olden Style: 1. (Untitled) | Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 96 BPM | ||
| Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | ||
| Études: No. 5 | Philip Glass, Víkingur Ólafsson | F Minor | 0 | 4A | 71 BPM | ||
| Pärt: Tabula rasa: II. Silentium | Arvo Pärt, Tasmin Little, Richard Studt, Robert Aldwinckle, Bournemouth Sinfonietta | D Minor | 0 | 7A | 77 BPM | ||
| Crossing | Julia Kent | F Major | 0 | 7B | 51 BPM | ||
| The Last Farm 1 | Kjartan Sveinsson | C Minor | 3 | 5A | 160 BPM | ||
| Pari intervallo (Transc. Osokins for Piano) | Georgijs Osokins, Arvo Pärt | F♯ Minor | 3 | 11A | 125 BPM | ||
| Barber: Agnus Dei | Samuel Barber, Winchester Cathedral Choir, David Hill | B♭ Minor | 1 | 3A | 71 BPM | ||
| El cant dels ocells (Version for Cello & Orchestra) | Pablo Casals, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz | D Major | 0 | 10B | 128 BPM | ||
| Flight from the City | Jóhann Jóhannsson, Yuki Numata Resnick, Tarn Travers, Ben Russell, Clarice Jensen | B♭ Major | 1 | 6B | 90 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| Songs from Dolores's Songbook: No. 7, Azure (Version for Strings) | Tõnu Kõrvits, Estonian National Symphony Orchestra, Risto Joost | B Major | 0 | 1B | 80 BPM | ||
| Nocturne (Arr. for Solo Violin and Piano) | Dobrinka Tabakova, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
| Silent Echoes | Joey Roukens, Lucas Jussen, Arthur Jussen, Netherlands Radio Philharmonic Orchestra, Karina Canellakis | B♭ Major | 3 | 6B | 152 BPM | ||
| Yumeji's Theme - From "In The Mood For Love" | Shigeru Umebayashi, Gidon Kremer, Kremerata Baltica | C Minor | 0 | 5A | 99 BPM | ||
| Glassworks: Opening | Philip Glass, Víkingur Ólafsson | E♭ Major | 0 | 5B | 213 BPM | ||
| Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
| …And at the Hour of Death | Víkingur Ólafsson | C Major | 0 | 8B | 122 BPM | ||
| Faust / Episode 2: Nachspiel | Karsten Gundermann, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | C Major | 0 | 8B | 81 BPM | ||
| Dolomites, pale mountains: I. Marmolada | Rachel Portman, LGT Young Soloists, Alexander Gilman | G Major | 0 | 9B | 86 BPM | ||
| The Evergreen: IV. Root | Caroline Shaw, Attacca Quartet | B♭ Major | 1 | 6B | 171 BPM | ||
| I. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 120 BPM | ||
| My Heart's in the Highlands: My Heart is in the Highlands | Arvo Pärt, Else Torp, Christopher Bowers-Broadbent, Paul Hillier | F Minor | 0 | 4A | 74 BPM |