Joey Roukens, Lucas Jussen, Arthur Jussen, Netherlands Radio Philharmonic Orchestra, Karina Canellakis's 'Silent Echoes' had a release date set for April 27, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Roukens: Silent Echoes only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Silent Echoes's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Silent Echoes by Joey Roukens, Lucas Jussen, Arthur Jussen, Netherlands Radio Philharmonic Orchestra, Karina Canellakis having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scenes de la foret, Op. 123: No. 1, Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | A♭ Major | 0 | 4B | 60 BPM | ||
| Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Lucas Jussen, Arthur Jussen, Concertgebouworkest, Stéphane Denève | B♭ Major | 1 | 6B | 88 BPM | ||
| 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
| Clarinet Trio in A Minor, Op. 114: II. Adagio | Johannes Brahms, Andreas Ottensamer, Gautier Capuçon, Yuja Wang | A Minor | 1 | 8A | 104 BPM | ||
| 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Pärt: Fratres (1980 Version for Violin and Piano) | Arvo Pärt, Tasmin Little, Martin Roscoe | D Major | 0 | 10B | 63 BPM | ||
| 24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
| Symphony No. 4 in D Minor: II. Andante cantabile | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | B♭ Major | 0 | 6B | 63 BPM | ||
| Hymnus for 12 Cellos, Op. 57 | Julius Klengel, Andreas Brantelid, Ingemar Brantelid, Henrik Dam Thomsen, Øystein Sonstad, Niels Ullner, Emilie Eskær, Jakob La Cour, Louisa Schwab, Morten Zeuthen, Live Johansson, Samira Dayyani, Lea Brøndal | G Major | 1 | 9B | 102 BPM | ||
| Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 7 in A Major | Dmitri Shostakovich, Keith Jarrett | A Major | 1 | 11B | 105 BPM | ||
| Limestone & Felt | Caroline Shaw, Anastasia Kobekina, Mariana Doughty | F♯ Major | 2 | 2B | 142 BPM | ||
| Symphony No. 5, Op. 50: Ia. Tempo giusto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 1 | 8B | 96 BPM | ||
| Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
| Bagatelles I-XIII: Bagatelle II | Valentin Silvestrov, Hélène Grimaud | B♭ Major | 0 | 6B | 67 BPM | ||
| Verklärte Nacht, Op. 4 (Version for String Orchestra): IV. Adagio (Bar 229) | Arnold Schoenberg, Danish National Symphony Orchestra, Fabio Luisi | D Major | 2 | 10B | 79 BPM | ||
| Klokkeklang, Op. 54, No. 6 | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | C Major | 0 | 8B | 131 BPM | ||
| Restless Oceans | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Trysting Fields | Gidon Kremer | C Minor | 1 | 5A | 79 BPM | ||
| Piano Quartet No. 1 in C Minor, Op. 15: II. Scherzo (Allegro vivo) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Piano Quartet No. 3 in C Minor, Op. 60: III. Andante | Johannes Brahms, Krystian Zimerman, Maria Nowak, Katarzyna Budnik, Yuya Okamoto | E Major | 1 | 12B | 99 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Alfvén: Suite from The Mountain King, Op. 37: IV. The Hersmaid's Dances | Hugo Alfvén, Mariss Jansons, Oslo Philharmonic Orchestra | G Major | 2 | 9B | 150 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| Tissue No. 6 | Philip Glass, Camille Thomas, Julien Brocal | C Major | 0 | 8B | 85 BPM |