Rakesh's ' "Othu Chernonnay" was released on its scheduled release date, November 6, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Anoop's "Ganageetham Vol 10" album is number 15 out of 24. On top of that, India appears to be the country where this track was created. In terms of popularity, Othu Chernonnay is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Othu Chernonnay by Rakesh to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kodi Yogam | Srihari | F Minor | 8 | 4A | 108 BPM | ||
| Hittu Maade Soppu Maade | Appagere Thimmaraju, Nanditha | A♭ Major | 4 | 4B | 163 BPM | ||
| Usse Wo Sharmave Tha Part 8 | Pale Ram, Rajender, Ranbir, Rakesh, Naresh | A Minor | 4 | 8A | 142 BPM | ||
| Hidakondi Udiakki | Basavaraja Narendra, Nanditha | G Minor | 6 | 6A | 145 BPM | ||
| Killi Tode Di Raja Ji | Dinesh Lal Yadav, Kalpana Patowary, Shekhar Sharma, Krishna Pandey, Rakesh | E Major | 8 | 12B | 132 BPM | ||
| Paapalu Theerche Vaadu | Ganesh Baludu, Kapil Madduri | F♯ Major | 8 | 2B | 124 BPM | ||
| Dekha Tabassum Sa | Rakesh, Surender | A Major | 8 | 11B | 99 BPM | ||
| Tumhara Humhara Mel Mil Gaya Part 2 | Ranbir, Rakesh, Pale Ram, Sati, Satinder, Birender | F♯ Major | 8 | 2B | 81 BPM | ||
| Oh Panchabhutallara | Narsing Rao | C Major | 8 | 8B | 77 BPM | ||
| Modati Prema | Thandri Sannidhi Ministries | B♭ Major | 6 | 6B | 78 BPM | ||
| Arasina Kumkuma | Rithish Padmanabhan, Usha, Hamsalekha, Soundarya, Jayaprada, Saikumar, Prema | B Major | 6 | 1B | 97 BPM | ||
| Nettana Mooga | H. B. Fareet | G Major | 8 | 9B | 110 BPM | ||
| Datte Date Na Bairan Meri Jawani | Rajbala, Nardev, Satte, Narender, Rakesh, Rajender, Anjali, Ranbir, Satpal | G Minor | 9 | 6A | 114 BPM | ||
| Andaraani Dooramulo | Naarsingi Nursing Rao, Krishna Sai, O Parvathi Nandana | E Minor | 7 | 9A | 90 BPM | ||
| Konda Gattu Guttameeda | A. Ramadevi | A♭ Minor | 8 | 1A | 105 BPM | ||
| Jagavanne Belagu | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Harasayya | B. R. Chaya | D♭ Major | 5 | 3B | 90 BPM | ||
| Jaanaki Jaane | Naushad, P. Susheela | D♭ Major | 5 | 3B | 155 BPM | ||
| Tumalukor Guhalir | Diganta Gohain | E Minor | 7 | 9A | 82 BPM | ||
| Bol Na Ho Raja Bol Na | Tripti Shakya, Amresh, Sangita, Rakesh | F♯ Minor | 7 | 11A | 103 BPM | ||
| Do Bhai Stand Me Khade Part 8 | Rajender, Rakesh | D♭ Major | 3 | 3B | 78 BPM | ||
| Humro Saiyan Chhe Anpadh Ganwar | Tripti Shakya, Amresh, Sangita, Rakesh | F♯ Minor | 7 | 11A | 103 BPM | ||
| Shabari Kondallona | Naarsingi Narsing Rao | F♯ Minor | 6 | 11A | 160 BPM | ||
| Muhinja Man Kabutar | Bhagwanti Navani, Surinder, Jagdish, Rakesh, Jethalal | E♭ Major | 8 | 5B | 130 BPM | ||
| Veechey Gali | Thandri Sannidhi Ministries | E Minor | 6 | 9A | 98 BPM |