"Concerto for clarinet, strings and harp: I. Slowly and expressively" by Aaron Copland, Pierre Génisson, BBC Concert Orchestra, Keith Lockhart had its release date on January 24, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Swing, a Benny Goodman Story (Bonus Track Version)". In this album, this song's track order is #2. Concerto for clarinet, strings and harp: I. Slowly and expressively is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for clarinet, strings and harp: I. Slowly and expressively by Aaron Copland, Pierre Génisson, BBC Concert Orchestra, Keith Lockhart having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 4 in D Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 69 BPM | ||
| String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | ||
| Suite for Strings, III. O, Waly Waly | John Rutter, Orchestra of the Music Makers, Tzelaw Chan | G Minor | 2 | 6A | 173 BPM | ||
| Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 142 BPM | ||
| Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | ||
| Overture to "The School for Scandal", Op. 5 | Samuel Barber, Atlanta Symphony Orchestra, Yoel Levi | A Minor | 1 | 8A | 101 BPM | ||
| Children's March "Over the Hills and Far Away" | Percy Grainger, The Arts District Chorale, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| The Firebird Suite (1919 Version): Finale - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM | ||
| The Red Pony Suite: I. Morning on the Ranch | Aaron Copland, New Philharmonia Orchestra | F Major | 2 | 7B | 76 BPM | ||
| Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
| Folk Tune and Fiddle Dance: Fiddle Dance | Percy Fletcher, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 2 | 9B | 61 BPM | ||
| The Tender Land Suite: I. Introduction and Love Music | Aaron Copland, Elgin Symphony Orchestra, Robert Hanson | D Major | 3 | 10B | 73 BPM | ||
| 4 Dance Episodes from Rodeo: IV. Hoe Down | Aaron Copland, Leonard Bernstein, New York Philharmonic | D Major | 5 | 10B | 134 BPM | ||
| A Downland Suite: II. Elegy | John Ireland, Sinfonia Of London, John Wilson | E♭ Major | 0 | 5B | 57 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| Appalachian Spring Suite: I. Very Slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
| Suite: I Have a Bonnet Trimmed with Blue | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | F Major | 0 | 7B | 79 BPM | ||
| Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM | ||
| Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
| Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | D♭ Major | 0 | 3B | 66 BPM | ||
| Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 125 BPM | ||
| Appalachian Spring (Ballet for Martha): Shaker theme, "The Gift to Be Simple," and variations underscoring scenes of daily activity for the bride and groom | Aaron Copland | C Major | 0 | 8B | 70 BPM | ||
| The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | ||
| Eclogue for Piano and Strings, Op. 10 | Gerald Finzi, Peter Donohoe, Royal Northern Sinfonia, Howard Griffiths | F Minor | 1 | 4A | 66 BPM |