"Francesca da Rimini, Act IV: Paolo! Paolo! (Live)" by Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Mario del Monaco, Gianandrea Gavazzeni had its release date on October 7, 2014. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zandonai: Francesca da Rimini (Live) by Riccardo Zandonai, Magda Olivero, Mario del Monaco, Giampiero Malaspina, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro La Scala di Milano, Gianandrea Gavazzeni, Enrico Campi, Gabriella Carturan, Athos Cesarini, Angelo Mercuriali, Giuseppe Morresi, Pinuccia Perotti, Anna Maria Rota. The song's track number on the album is #15 out of 39 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Act IV: Paolo! Paolo! (Live)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act IV: Paolo! Paolo! (Live) by Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Mario del Monaco, Gianandrea Gavazzeni has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Act IV: Paolo! Paolo! (Live) being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Francesca da Rimini, Op. 4, Act III, Scene 3: Smaragdi, non torna? (Francesca, Smaragdi) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Lorena Espina | A Major | 0 | 11B | 70 BPM | ||
| Giulietta e Romeo, Act II: Aiuto! Aiuto!... Pel tuo Dio! (Isabella, Romeo) | Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Ornella Rovero, Renato Capecchi | F Minor | 3 | 4A | 76 BPM | ||
| Ultima rosa | Riccardo Zandonai, Ida Fratta, Gianna Fratta | G Minor | 0 | 6A | 88 BPM | ||
| Cilea: L'arlesiana, Act 2: "Ah! Vieni con me sui monti" (Baldassarre, Federico) | Francesco Cilea, Charles Rosekrans, Barry Anderson, Péter Kelen, Hungarian State Orchestra | B Major | 0 | 1B | 82 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 4: O dama, non ti disperare! (Smaragdi, Adonella, Biancofiore, Garsenda) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Lorena Espina, Jaroslava Horska, Anita Bader, Tunde Franko | D♭ Major | 0 | 3B | 147 BPM | ||
| La bohème, SC 67: Dunque è proprio finita | Giacomo Puccini, Jonathan Tetelman, Federica Lombardi, Marina Monzó, Theodore Platt, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Major | 2 | 2B | 180 BPM | ||
| I Puritani / Act 3: A una fonte afflitto e solo | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | C Major | 1 | 8B | 131 BPM | ||
| Lucrezia Borgia: Preludio | Gaetano Donizetti, Lieuwe Visser, John Bröcheler, Marilyn Horne, Graham Clark, Piero de Palma, Richard van Allan, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 112 BPM | ||
| Rossini: Guillaume Tell, Act 1 Scene 2: "Près des torrents qui grondent" (Melchthal, Guillaume, Jemmy, Hedwige, Arnold, Ruodi, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 7 | 9B | 78 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
| Andrea Chénier / Act 1: Soffoco, moro tutta chiusa | Umberto Giordano, Hugues Cuénod, Montserrat Caballé, Kathleen Kuhlmann, Astrid Varnay, Florindo Andreolli, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 110 BPM | ||
| Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto | Giacomo Puccini, Jonathan Tetelman, Vida Miknevičiūtė, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Minor | 2 | 11A | 83 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Der fliegende Holländer, Act III: Willst jenen Tag du nicht dich mehr entsinnen "Cavatina" | Richard Wagner, René Kollo, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Carmen / Act 2: Non, tu ne m'aimes pas! | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 178 BPM | ||
| Turandot / Act 1: La grazia, Principessa! - O divina bellezza (Coro / Calaf) | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Major | 2 | 1B | 82 BPM | ||
| Falstaff, Act I: Udrai quanta egli sfoggia | Giuseppe Verdi, Anthony Mee, Thomas Hampson, Anatolij Kotscherga, Enrico Facini, Adrianne Pieczonka, Dorothea Röschmann, Stella Doufexis, Larissa Diadkova, Daniil Shtoda, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| Francesca da Rimini, Op. 4, Act III: No, Smaragdi, no! | Riccardo Zandonai, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | F Major | 3 | 7B | 82 BPM | ||
| Francesca da Rimini, Act III: E Galeotto dice, "Dama, abbiatene pietà" (Live) | Riccardo Zandonai, Mario del Monaco, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Gianandrea Gavazzeni | D♭ Minor | 2 | 12A | 176 BPM | ||
| Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (a) "Me voici! … Non" (Méphistophélès, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Giulietta e Romeo / Act 3: Giulietta! Son io! | Riccardo Zandonai, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | F Major | 1 | 7B | 86 BPM | ||
| Francesca da Rimini, Act I: Francesca, dove andrai? (Live) | Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Anna Gasparini, Leyla Gencer, Franco Capuana | G Minor | 0 | 6A | 139 BPM | ||
| Turandot / Act 1: O giovinetto! Grazia, grazia! (Coro, Calaf) | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Major | 2 | 1B | 75 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM |