"Nicholson's Victory" by Malcolm Arnold had its release date on March 14, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The Bridge On The River Kwai (Soundtrack)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Nicholson's Victory's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nicholson's Victory by Malcolm Arnold having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Danzas fantásticas, Op. 22: I. Exaltación | Joaquín Turina, Juanjo Mena, BBC Philharmonic | E Minor | 0 | 9A | 129 BPM | ||
| Le Tombeau de Couperin, M. 68: V. Menuet (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | G Major | 0 | 9B | 97 BPM | ||
| Prelude, Siciliano & Rondo: Siciliano | Malcolm Arnold, The Trade Winds, Daniel Schmidt | E♭ Major | 0 | 5B | 69 BPM | ||
| Hummel: Trumpet Concerto in E-Flat Major: I. Allegro con spirito | Johann Nepomuk Hummel, Alison Balsom, Deutsche Kammerphilharmonie Bremen | B♭ Major | 2 | 6B | 137 BPM | ||
| The Story Of A Flemish Farm Suite: The Flag Flutters In The Wind | RTE Concert Orchestra, Ralph Vaughan Williams | B♭ Major | 1 | 6B | 69 BPM | ||
| Marche funèbre in A Minor, Op. 103, MWV P14 - Arr. for Brass Instruments | Les Cuivres Français, Michel Becquet | E♭ Major | 0 | 5B | 77 BPM | ||
| España | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Hervé Niquet | F Major | 3 | 7B | 117 BPM | ||
| Colonel Bogey | Kenneth J. Alford, Malcolm Arnold, Philip Jones Ensemble, Elgar Howarth | D♭ Major | 3 | 3B | 125 BPM | ||
| Il carnevale di Venezia, Op. 78 | Giulio Briccialdi, James Galway, National Philharmonic Orchestra, Charles Gerhardt | C Major | 1 | 8B | 87 BPM | ||
| VI. Rondeau | John Rutter, Duke Dobing, Wayne Marshall, City of London Sinfonia | D Major | 1 | 10B | 135 BPM | ||
| Tomasi: Trumpet Concerto: I. Allegro - Cadenza | Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos | F Major | 2 | 7B | 113 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Symphony for brass instruments: 3. Andante con moto | Malcolm Arnold, The Philip Jones Brass Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
| Radiant Moments | Veridia | E♭ Major | 4 | 5B | 121 BPM | ||
| English Dances, Set 2, Op. 33: No. 2. Con brio | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | C Major | 4 | 8B | 142 BPM | ||
| Les pêcheurs de perles, WD 13, Act I: Au fond du temple saint (Arr. for Cello and Orchestra) | Georges Bizet, Sally Maer, Andrew Greene, Tasmanian Symphony Orchestra | E♭ Major | 2 | 5B | 57 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | G Major | 0 | 9B | 99 BPM | ||
| Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| La festa di Piedigrotta, Act 3: Tarantella Napoletana (Arr. for Solo Trumpet and Small Orchestra by William Foster) | Luigi Ricci, Matilda Lloyd, Britten Sinfonia, Rumon Gamba | A Minor | 2 | 8A | 147 BPM | ||
| End Title | United Artists Studio Orchestra, Malcolm Arnold | E♭ Major | 3 | 5B | 87 BPM | ||
| Pure Imagination | Mike Dixon | A♭ Major | 0 | 4B | 180 BPM | ||
| Hummel: Trumpet Concerto In E Flat - I Allegro Con Spirito | Johann Nepomuk Hummel, Tine Thing Helseth | B♭ Major | 1 | 6B | 136 BPM | ||
| Concertino for Flute and Orchestra, Op. 107 | Cécile Chaminade, Susan Milan, Richard Hickox, City of London Sinfonia | D Major | 1 | 10B | 116 BPM | ||
| English Folk Song Suite: I. March "Seventeen Come Sunday" | Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | A♭ Major | 2 | 4B | 117 BPM |