Jean-Philippe Rameau, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte, Noémie Rime, François Bazola, Valérie Rio, Philippe Noncle's ' "Sibaris, scène 1: Rigaudon" was released on its scheduled release date, March 15, 2000. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 27 in the song's album "Rameau : Sibaris, acte de ballet". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. Based on our statistics, Sibaris, scène 1: Rigaudon's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sibaris, scène 1: Rigaudon by Jean-Philippe Rameau, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte, Noémie Rime, François Bazola, Valérie Rio, Philippe Noncle having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La poule, RCT 6/12 - Recording 2021 | Jean-Philippe Rameau, Bruce Liu | D Major | 1 | 10B | 87 BPM | ||
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
| Eccles: The Mad Lover: V. Aire. Ground (Arr. Diluka for Piano) | John Eccles, Shani Diluka | F Minor | 2 | 4A | 69 BPM | ||
| Galuppi: Concerto a quattro No. 1 in G Minor: I. Grave e adagio | Baldassare Galuppi, Quartetto Italiano | B♭ Major | 2 | 6B | 92 BPM | ||
| Tissue No. 7 | Philip Glass, Camille Thomas, Julien Brocal | B♭ Major | 0 | 6B | 75 BPM | ||
| Pièces de Clavecin, Livre II, 6e ordre, Livre IV, 25e ordre: V. Les Ombres Errantes | François Couperin, Alexandre Tharaud | C Minor | 0 | 5A | 68 BPM | ||
| Handel: Keyboard Suite in G Minor, HWV 434: IV. Menuet (With Alternate Kempff Version) | George Frideric Handel, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Montero: Beyond Bach: | Gabriela Montero | D Minor | 0 | 7A | 78 BPM | ||
| Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
| 16 Waltzes, Op. 39: No. 15 in A-Flat Major - Live | Johannes Brahms, Hélène Grimaud | A♭ Major | 0 | 4B | 69 BPM | ||
| Le Rossignol-en-Amour: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 0 | 11B | 65 BPM | ||
| Keyboard Sonata in F Minor, Kk. 466 - Upright Version | Domenico Scarlatti, Julius Asal | E♭ Major | 0 | 5B | 68 BPM | ||
| Jeux d'enfants, Op. 22: No. 3, La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
| Keyboard Sonata in A Major, Wq. 54/6: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 181 BPM | ||
| Nocturne No. 15 in D Minor “Song without Words”, H.59 | John Field, Elizabeth Joy Roe | D Minor | 0 | 7A | 94 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | ||
| Orphée - Arr. for Piano duet / Act 1: III. La chambre d'Orphée | Philip Glass, Katia Labèque, Marielle Labèque | F Minor | 0 | 4A | 137 BPM | ||
| Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 645 | Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D Major | 0 | 10B | 79 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM | ||
| Sonate in A Minor: I. Grave | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| Violin Sonata No. 3 in F Major, C. 140: V. Variatio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | E Major | 0 | 12B | 74 BPM | ||
| Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM |