"Final Confrontation" by Charlie Mole had its release date on 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 19 in Dorian Gray (Original Score Soundtrack) by Charlie Mole. In terms of popularity, Final Confrontation is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Final Confrontation by Charlie Mole is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arrival at the Island | Mike Higham, Matthew Margeson | C Minor | 2 | 5A | 76 BPM | ||
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| Geography | Patrick Doyle | D Minor | 2 | 7A | 127 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| A Place Like This | Mike Higham, Matthew Margeson | G Minor | 1 | 6A | 120 BPM | ||
| This Is Fiddler's Green | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| A Single Bullet | Patrick Doyle | A Minor | 3 | 8A | 108 BPM | ||
| Richis' Escape | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker, Chen Reiss | F Minor | 1 | 4A | 81 BPM | ||
| I Am The King | Steven Price | E Minor | 1 | 9A | 120 BPM | ||
| Melting Waltz | Abel Korzeniowski | B♭ Minor | 2 | 3A | 157 BPM | ||
| Emma Suite | Isobel Waller-Bridge, David Schweitzer | C Major | 2 | 8B | 119 BPM | ||
| Adagio For Strings And Storm | Nico Cartosio | E Minor | 1 | 9A | 69 BPM | ||
| Unsolved Mysteries | PhilMScores | B♭ Major | 1 | 6B | 77 BPM | ||
| Did I Miss the Ball? | The Newton Brothers | A Minor | 0 | 8A | 65 BPM | ||
| Heavy Boots | Dominik Scherrer | E Minor | 1 | 9A | 133 BPM | ||
| The Orient Express | Patrick Doyle | A♭ Major | 4 | 4B | 82 BPM | ||
| Every Hundred Years | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| Laura's Murder | Johnny Klimek, Reinhold Heil, Tom Tykwer, Berliner Philharmoniker, Sir Simon Rattle | B♭ Minor | 3 | 3A | 138 BPM | ||
| Gothic Ballroom | Derek Fiechter, Brandon Fiechter | E Minor | 1 | 9A | 120 BPM | ||
| George's Waltz (II) | Shigeru Umebayashi | E Minor | 2 | 9A | 138 BPM | ||
| It was Wrong to Come Here | 조영욱과 THE SOUNDTRACKINGS | C Major | 3 | 8B | 82 BPM | ||
| Rupert's Turmoil | Natalie Holt, Jack Halama | C Minor | 5 | 5A | 125 BPM | ||
| The Weeping Willow | The Newton Brothers | A Minor | 0 | 8A | 102 BPM | ||
| Sybil Stays the Night | Charlie Mole | G Major | 1 | 9B | 114 BPM | ||
| The Heretic | Joseph Trapanese, The Budapest Art Orchestra | D Major | 1 | 10B | 75 BPM |