"It was Wrong to Come Here" by 조영욱과 THE SOUNDTRACKINGS had its release date on August 25, 2016. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "THE HANDMAIDEN (Original Motion Picture Soundtrack)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from South Korea. It was Wrong to Come Here is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With It was Wrong to Come Here by 조영욱과 THE SOUNDTRACKINGS having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| For Those That Follow | Ben Salisbury, Geoff Barrow | A♭ Major | 1 | 4B | 167 BPM | ||
| The Call Within (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | D Minor | 2 | 7A | 123 BPM | ||
| Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
| To the Ballroom | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | B♭ Minor | 1 | 3A | 72 BPM | ||
| Fall | Kepa Lehtinen | F♯ Minor | 1 | 11A | 70 BPM | ||
| You Must Be a Natural | 조영욱과 THE SOUNDTRACKINGS | D♭ Major | 3 | 3B | 71 BPM | ||
| I Saw The Devil (Main Theme) | Mowg | A Minor | 6 | 8A | 90 BPM | ||
| Valse Sentimentale, Op. 51, No. 6 | Misha Quint, Svetlana Gorokhovich | A Minor | 0 | 8A | 81 BPM | ||
| Nocturne No. 20 in C-Sharp Minor, KK IVa/16 | Frédéric Chopin, Alice Sara Ott | E♭ Major | 2 | 5B | 139 BPM | ||
| Nick and Offred | Adam Taylor | F♯ Major | 0 | 2B | 171 BPM | ||
| The Reader (Malbork) | Bill Ryder-Jones | F Major | 2 | 7B | 77 BPM | ||
| Thatched Roofs In Chaponval | Clint Mansell | G Minor | 2 | 6A | 109 BPM | ||
| Large Ventricles | Amie Doherty | E Minor | 1 | 9A | 75 BPM | ||
| Knives Out! (String Quartet in G Minor) | Nathan Johnson | G Major | 3 | 9B | 115 BPM | ||
| A Princess | Javier Navarrete | A Minor | 2 | 8A | 84 BPM | ||
| Retour à la maison - From 'Bilan trimestriel' | Wojciech Kilar | F Major | 2 | 7B | 69 BPM | ||
| Le grand cahier: XII. La séparation | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B♭ Major | 2 | 6B | 81 BPM | ||
| Potage | Brian Reitzell | D Minor | 0 | 7A | 89 BPM | ||
| Amadeo | Daniel Hart, Eleanor Tinlin | F Minor | 3 | 4A | 66 BPM | ||
| Unsolved Mysteries | PhilMScores | B♭ Major | 1 | 6B | 77 BPM | ||
| A Detective Dying of Insomnia | 조영욱과 THE SOUNDTRACKINGS | A♭ Major | 2 | 4B | 140 BPM | ||
| Underlying Problem | Mohsen Sokard | E♭ Minor | 0 | 2A | 68 BPM | ||
| Forever and Never | Peter Gundry | G Minor | 1 | 6A | 90 BPM | ||
| Archer's Books | Elmer Bernstein | D Minor | 3 | 7A | 88 BPM | ||
| My Name is Nam Sookee | 조영욱과 THE SOUNDTRACKINGS | A♭ Major | 1 | 4B | 73 BPM |