"Underlying Problem" by Mohsen Sokard had its release date on February 19, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Radical Notions". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. Underlying Problem is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Underlying Problem by Mohsen Sokard having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holding the Dark Feast Close | Witch Bolt | A Minor | 1 | 8A | 74 BPM | ||
| Burns | James Edward Barker | E Minor | 0 | 9A | 72 BPM | ||
| Macabre Respite | Alex Roe | A♭ Major | 2 | 4B | 104 BPM | ||
| The Darkwoods | Nova Arcadia | A Minor | 1 | 8A | 80 BPM | ||
| I Thought We Were All Dead | Samuel Laflamme | F♯ Minor | 0 | 11A | 80 BPM | ||
| Jeremiah lamenting the destruction of Jerusalem | Mohsen Sokard | B Minor | 0 | 10A | 120 BPM | ||
| Edith's Theme | Fernando Velázquez | G Minor | 1 | 6A | 81 BPM | ||
| The Mariner’s Last Waltz | Helen Keeling-Marston | E Major | 1 | 12B | 138 BPM | ||
| Charlie | Daniel Hart | C Major | 0 | 8B | 91 BPM | ||
| Blood - From "Macbeth" Soundtrack | Jed Kurzel | E Minor | 2 | 9A | 138 BPM | ||
| Lihasaaret | Natalia Tsupryk | C Major | 3 | 8B | 174 BPM | ||
| That Which Lies Beyond | Sinke Dûs | B Minor | 2 | 10A | 90 BPM | ||
| Elysium | Atanas Valkov | D Major | 1 | 10B | 75 BPM | ||
| Claudia | Daniel Hart | C Major | 0 | 8B | 91 BPM | ||
| Optician | Fernando Velázquez | G Minor | 1 | 6A | 104 BPM | ||
| We Stay Together | Fernando Velázquez | E♭ Major | 2 | 5B | 75 BPM | ||
| Buffet Froid | Brian Reitzell | B Minor | 2 | 10A | 141 BPM | ||
| Dark Fairytale | Asia Borioli, Wasylla | G Minor | 1 | 6A | 83 BPM | ||
| Deep Sorrow for The Loss | J. M. Quintana Cámara | A Major | 3 | 11B | 67 BPM | ||
| Mates | Lovett | G Minor | 0 | 6A | 130 BPM | ||
| Till Death Do Us Part | Peter Gundry | D♭ Minor | 3 | 12A | 75 BPM | ||
| Hidden Haze | Ahsen Yücel | G Minor | 2 | 6A | 105 BPM | ||
| Lights Out | Cities Last Broadcast | A Minor | 0 | 8A | 69 BPM | ||
| A blank page | Mohsen Sokard | D Minor | 0 | 7A | 70 BPM | ||
| Cloudy Sunrise | Limelight Glow | A Minor | 0 | 8A | 64 BPM |