"落葉松(からまつ)" by 蒲原史子 had its release date on May 20, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 花・ジャパネスク, so we believe that "落葉松(からまつ)" is a single. 落葉松(からまつ) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 落葉松(からまつ) by 蒲原史子 is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Myrthen, Op. 25: No. 1, Widmung | Felicity Lott, Graham Johnson | A♭ Major | 1 | 4B | 113 BPM | ||
| Suor Angelica: Sorelle in umiltà, mancaste alla quindena | Giacomo Puccini, Elizabeth Connell, Helen Walker, Doreen Walker, Enid Hartle, Marie McLaughlin, Isobel Buchanan, Miriam Bowen, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 1 | 10B | 170 BPM | ||
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM | ||
| サマータイム | George Gershwin, 蒲原史子, アンサンブル・アン・レーヴ | E Minor | 1 | 9A | 165 BPM | ||
| La pícara molinera, Act II: "Mi locura… Paxarín, tú que vuelas" (Juan) | Pablo Luna, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D♭ Major | 1 | 3B | 68 BPM | ||
| Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] | Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | B♭ Major | 1 | 6B | 111 BPM | ||
| H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
| Nel cor piu non mi sento | Giovanni Paisiello, Ramón Vargas | F Major | 1 | 7B | 129 BPM | ||
| Verdi: La forza del destino, Act 4: "Pace, pace, mio Dio!" (Donna Leonora) | Giuseppe Verdi, Riccardo Muti, Mirella Freni, Orchestra Del Teatro Alla Scala, Milano | B♭ Minor | 1 | 3A | 82 BPM | ||
| アヴェ・ヴェルム・コルプス | Wolfgang Amadeus Mozart, Maki Mori | F Major | 0 | 7B | 70 BPM | ||
| Puccini: Madama Butterfly, Act 2: "Con onor muore" (Butterfly, Pinkerton) | Giacomo Puccini, Maria Callas, Nicolai Gedda, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | B Minor | 3 | 10A | 81 BPM | ||
| Priceless | Yakubu | E Major | 1 | 12B | 103 BPM | ||
| 眠りの精 | Johannes Brahms, 蒲原史子, 朝川朋之, アンサンブル・アン・レーヴ | B♭ Major | 1 | 6B | 97 BPM | ||
| The Ballad of Baby Doe / Act 1: Willow, where we met together | Douglas Moore, Beverly Sills, New York City Opera Orchestra, Emerson Buckley | B♭ Major | 1 | 6B | 117 BPM | ||
| Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
| Manon Lescaut: Act II: In quelle trine morbide | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Beethoven: Missa solemnis in D Major, Op. 123: III. Qui tollis | Ludwig van Beethoven, Herbert von Karajan, Agnes Baltsa, Gundula Janowitz, José van Dam, Peter Schreier, Wiener Singverein, Berliner Philharmoniker | G Major | 1 | 9B | 122 BPM | ||
| Dvořák: Songs My Mother Taught Me (From Gypsy Melodies, Op. 55, B. 104) | Sumi Jo, PKF – Prague Philharmonia, Ondrej Lenard | D Major | 3 | 10B | 111 BPM | ||
| Lucia di Lammermoor / Act 1: Regnava nel silenzio | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | A Minor | 1 | 8A | 169 BPM | ||
| Lohengrin, Act II Scene 4: Bridal Procession | Richard Wagner, Royal Swedish Opera Chorus, Royal Swedish Orchestra, Leif Segerstam | E♭ Major | 1 | 5B | 79 BPM | ||
| Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | ||
| 「マドンナの宝石」間奏曲 第1番(ヴォルフ=フェラーリ) | ヴォルフ=フェラーリ, ロビン・ステープルトン, Royal Philharmonic Orchestra | B♭ Major | 3 | 6B | 146 BPM | ||
| Granados / Transcr. Bakish: 12 Tonadillas en estilo antiguo: No. 6, El mirar de la maja | Enrique Granados, Liat Cohen, Charles Castronovo | A Minor | 1 | 8A | 87 BPM |