Luis Cardei's ' "Anclao en Paris" was released on its scheduled release date, January 1, 2000. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Anclao en Paris's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Que Te Pasa Buenos Aires". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Argentina. In terms of popularity, Anclao en Paris is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Anclao en Paris by Luis Cardei having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Mi No Me Hablan De Tango | Rubén Juárez | A Minor | 5 | 8A | 109 BPM | ||
| Anclao en Paris | Luis Cardei | E Major | 2 | 12B | 117 BPM | ||
| Contame una historia | Viviana Scarlassa | D Minor | 3 | 7A | 101 BPM | ||
| Lo Han Visto Con Otra - Remasterizado | Ignacio Corsini | D Minor | 5 | 7A | 98 BPM | ||
| Que bien te queda | Ricardo Tanturi y Enrique Campos | D Major | 4 | 10B | 124 BPM | ||
| Junto a tu corazón - Estilo Carlos Di Sarli | SEXTETO VISCERAL | B Minor | 3 | 10A | 123 BPM | ||
| Fosforerita | Argentino Ledesma | D Minor | 3 | 7A | 113 BPM | ||
| Adios Pampa Mia | Mariano Mores | C Major | 2 | 8B | 124 BPM | ||
| Espiral | José Luis Barba Bonet | E Minor | 7 | 9A | 100 BPM | ||
| Sin lagrimas | Jorge Valdez | B♭ Major | 3 | 6B | 129 BPM | ||
| Nostalgias | Orquesta Mario Demarco, Edmundo Rivero | D Minor | 1 | 7A | 109 BPM | ||
| La Foto | Larbanois & Carrero | F♯ Minor | 3 | 11A | 92 BPM | ||
| Como una herida | Orquesta Típica Francisco Canaro, Guillermo Rico | F♯ Major | 3 | 2B | 133 BPM | ||
| Traiga Otra Caña | Angel D'Agostino, Ángel Vargas | D Major | 2 | 10B | 124 BPM | ||
| Que Buena Es | Raul Garces | C Minor | 3 | 5A | 61 BPM | ||
| La Madrugada | La Auténtica Milonguera | A Minor | 3 | 8A | 121 BPM | ||
| Puerto de Santa Cruz | Carlos Torres Vila | F Minor | 6 | 4A | 128 BPM | ||
| Remembranza | Jorge Valdez | C Major | 4 | 8B | 130 BPM | ||
| Adios muchachos | Agustin Magaldi | D♭ Major | 2 | 3B | 117 BPM | ||
| Malena (feat. Walter Ríos & Ricardo Domínguez) | Maria Graña, Walter Ríos, Ricardo Dominguez | B Minor | 2 | 10A | 69 BPM | ||
| Errores | Oscar Agudelo | B Minor | 5 | 10A | 109 BPM | ||
| Senda Florida | Domingo Federico Y Su | D Major | 3 | 10B | 125 BPM | ||
| Sur | Nelly Omar | A Minor | 3 | 8A | 115 BPM | ||
| El Último Round | Chico Novarro | F Minor | 4 | 4A | 85 BPM | ||
| Afiches | Omar Mollo | C Minor | 6 | 5A | 111 BPM |