Rajkishan Agwanpuriya's ' "Bister Paar Te Chalya Uth Ke" was released on its scheduled release date, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajkishan Agwanpuriya's "Haryanvi Rajkishan Ki Futkar Ragniya (Vol. 1, 2, 3, 4, 5, 6, 7 & 8)" album is number 2 out of 55. On top of that, France appears to be the country where this track was created. Based on our statistics, Bister Paar Te Chalya Uth Ke's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Bister Paar Te Chalya Uth Ke by Rajkishan Agwanpuriya to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Akhiya Roj Roj Dekhela | Dinesh Lal Yadav Nirahua, Khushboo Raj | F♯ Minor | 7 | 11A | 93 BPM | ||
| Rang Debo Choliya Tohar | Vijay Lal Yadav | D♭ Major | 7 | 3B | 129 BPM | ||
| Apne Hatha Mar | Master Satbeer Singh | A♭ Major | 7 | 4B | 133 BPM | ||
| Ragni = पत्तला दुपट्टा तेरा मुह दिखै (Haryanvi Folk Ragni) | HARYANA लोक-संगीत | E Minor | 9 | 9A | 152 BPM | ||
| Kaam Ka Dunda Thaa De Ri | Krishan Juen Wala | D♭ Minor | 8 | 12A | 111 BPM | ||
| Balaji Aai Tere Darbaar | Narender Kaushik | B♭ Minor | 9 | 3A | 135 BPM | ||
| Kesariyo Hajari Gul Ro Phool (Instrumental) | Kesariya Rajasthan | A Major | 3 | 11B | 168 BPM | ||
| Heere Jane Wali | Kosinder, Rishipal | A♭ Minor | 6 | 1A | 146 BPM | ||
| RAGNI = पढ़ने में मेरा जी ना लागे (Haryanvi Folk Ragni) | HARYANA लोक-संगीत | F Major | 2 | 7B | 106 BPM | ||
| Mere Jigar Main Khatak Sey Aek | Rajkishan Agwanpuriya | B Major | 9 | 1B | 95 BPM | ||
| Kutta Kha Rahe Doodh Jalebi | Soniya Studio, Ramrati kushwaha, mohan kushwaha | F♯ Minor | 5 | 11A | 111 BPM | ||
| RAGNI BHEEDA PALANG (Haryanvi Folk Ragni) | HARYANA लोक-संगीत | A♭ Major | 8 | 4B | 126 BPM | ||
| Dhune Pe Fakira Dhore | Rajender Kharkiya | A♭ Minor | 10 | 1A | 134 BPM | ||
| Chandan Palna Jhule Ganesha | Shahnaz Akhtar | A Minor | 4 | 8A | 110 BPM | ||
| Satsang Amar Jadi | Bhajnanand Ji Maharaj | A♭ Minor | 7 | 1A | 78 BPM | ||
| Mohan Teri Maya Ka Na Bhed Kisi Ne Paya | Chanderpal Tanwar Gwalphadi | G Minor | 10 | 6A | 131 BPM | ||
| Hum Gaadi Se Jehe Padal Na Jehe | Leeladhar Raikwar | A♭ Major | 9 | 4B | 79 BPM | ||
| Sab Kahan Kahan Ke Yaar Hai | Master Satbir Singh | A♭ Major | 5 | 4B | 138 BPM | ||
| Dakhe ri tera beta bulawe ri | Ma.Rajphool Kuchrania | D♭ Minor | 7 | 12A | 148 BPM | ||
| Gau Brahaman Sadhu Ki Sewa | Master Satbir Singh | A♭ Major | 5 | 4B | 141 BPM | ||
| Sache Patshah De Karne Ne Didaare | Bhai Ranjit Singh Dhadrianwale | B Major | 9 | 1B | 95 BPM | ||
| Lena Ek Na | Ramesh Kalawadiya | F Minor | 5 | 4A | 74 BPM | ||
| Bin Aai Me Marwa De | Master Satbeer Singh | F♯ Major | 7 | 2B | 110 BPM | ||
| Chorii Kaa Dhan Osh Kaa Paanii | Ramesh Kalawadiya | B Major | 8 | 1B | 151 BPM | ||
| Mhari Heli Bhajan | Bhajnanand Ji Maharaj | F♯ Minor | 10 | 11A | 100 BPM |