Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra's 'The Rite of Spring, Part 1: III. Ritual of Abduction' had a release date set for October 20, 2017. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "The Rite of Spring". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. The popularity of The Rite of Spring, Part 1: III. Ritual of Abduction is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Rite of Spring, Part 1: III. Ritual of Abduction by Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra having a BPM of 181 with a half-time of 90 BPM and a double-time of 362 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 3 In D Minor / Part 1: 1. - Immer das gleiche Tempo - Live | Gustav Mahler, New York Philharmonic, Leonard Bernstein | A Minor | 0 | 8A | 107 BPM | ||
| Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | A Minor | 1 | 8A | 110 BPM | ||
| Symphony No. 2 in C Minor, Op. 17 "Little Russian": II. Andantino marziale, quasi moderato - 2017 Remastered Version | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 114 BPM | ||
| Symphony No. 3 in D Major, Op. 29 "Polish": III. Andante elegiaco | Pyotr Ilyich Tchaikovsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | G Minor | 1 | 6A | 105 BPM | ||
| Mavra (arr. S. Dushkin): Mavra: Russian Maiden's Song, "Parasha's Aria" (arr. S. Dushkin for violin and piano) | Samuel Dushkin, Igor Stravinsky, Livia Sohn, Benjamin Loeb | G Minor | 0 | 6A | 140 BPM | ||
| Roman Carnival Overture, Op. 9 (Remastered) | Hector Berlioz, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 77 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: III. Allegretto | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
| Apollo (1947 revision): Tableau I: Prologue: The Birth of Apollo | London Symphony Orchestra, Robert Craft | G Major | 0 | 9B | 98 BPM | ||
| Piano Concerto No. 4 in G Minor, Op. 40: I. Allegro vivace | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | E♭ Major | 1 | 5B | 67 BPM | ||
| Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | G Minor | 3 | 6A | 89 BPM | ||
| Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
| Carnival of the Animals: I. Introduction and Royal March of the Lion | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 2 | 9B | 79 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | D♭ Major | 1 | 3B | 59 BPM | ||
| Billy the Kid: No. 5, Gun Battle | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM | ||
| Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
| The Rake's Progress, Act I Scene 3: Aria. Quietly, night… (Anne) | Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft | E Minor | 1 | 9A | 119 BPM | ||
| Symphony No. 1, "Afro-american": Iv. Aspiration (Lento, con risoluzione) | William Grant Still, Fort Smith Symphony | F♯ Major | 0 | 2B | 141 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: III. Allegretto - Largo - Più mosso | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | G Major | 0 | 9B | 131 BPM | ||
| The Planets - Suite for large orchestra, Op.32: III. Mercury, the Winged Messenger (Vivace) | Sir Simon Rattle, Berliner Philharmoniker | F Major | 0 | 7B | 118 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
| Molly on the Shore, BFMS 23 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | C Major | 2 | 8B | 125 BPM | ||
| Gayane Suite No. 3: I. The Hunt - Andante | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 2 | 10B | 92 BPM | ||
| The Miraculous Mandarin, Sz. 73: Introduction. Allegro | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Minor | 4 | 12A | 59 BPM | ||
| Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM |