- BPM
- 80
- Key
- C Major
- Camelot
- 8B
III. Thema mit Variationen by Paul Hindemith, Nobuko Imai Song Details
"III. Thema mit Variationen" by Paul Hindemith, Nobuko Imai had its release date on November 30, 1992. This song appears to be safe for all ages as it is not explicit. The track order of this song in Paul Hindemith, Nobuko Imai's "Hindemith: Solo Viola Sonatas" album is number 12 out of 15. On top of that, Sweden appears to be the country where this track was created. III. Thema mit Variationen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of III. Thema mit Variationen by Paul Hindemith, Nobuko Imai to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Music Key
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -17.463 dB
- Acousticness
- 97%
- Danceability
- 30%
- Energy
- 15%
- Instrumentalness
- 81%
- Liveness
- 7%
- Loudness
- 71%
- Speechiness
- 5%
- Valence
- 15%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite de danzas criollas, Op. 15: I. Adagietto pianissimo | Alberto Ginastera, Simon Cohen, Jerusalem Symphony Orchestra, Gisele Ben-Dor | G Major | 0 | 9B | 144 BPM | |
 | Piano Concerto in A Minor, Op. 7: III. Finale. Allegro non troppo - Allegro molto | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | F Minor | 1 | 4A | 103 BPM | |
 | Piano Trio, M. 67: II. Pantoum. Assez vif | Maurice Ravel, Beaux Arts Trio | D♭ Minor | 0 | 12A | 95 BPM | |
 | Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | |
 | Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | |
 | Piano Concerto No. 1, BB 91, Sz. 83: I. Allegro moderato - Allegro | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | G Major | 3 | 9B | 124 BPM | |
 | Passione amorose: III. Allegretto (Orchestrated by G. Jardanyi) | Giovanni Bottesini, Gergely Jardanyi, Odon Racz, Budapest Chamber Symphony, János Ács | A Major | 0 | 11B | 179 BPM | |
 | Violin Sonata No. 1, Op. 31: II. Sehr langsame Viertel | Paul Hindemith, Herwig Zack | G Minor | 1 | 6A | 81 BPM | |
 | Milhaud: Sonatina for Flute and Piano, Op. 76: I. Tendre | Darius Milhaud, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 82 BPM | |
 | Piano Concerto in A Minor, Op. 7: III. Finale. Allegro non troppo | Clara Schumann, Howard Shelley, Tasmanian Symphony Orchestra | A♭ Major | 0 | 4B | 72 BPM | |
 | Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | |
 | Turangalîla-Symphonie: VIII. Développement de l'amour | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | |
 | Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | D♭ Minor | 0 | 12A | 95 BPM | |
 | Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | |
 | String Quartet No. 2, Op. 26: IV. Libero e rapsodico | Alberto Ginastera, Miró Quartet | D♭ Major | 0 | 3B | 82 BPM | |
 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot. Scherzo | Paul Hindemith, San Francisco Symphony, Herbert Blomstedt | A Minor | 2 | 8A | 92 BPM | |
 | Liebster Jesu, wir sind hier, BWV 731 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, BBC Philharmonic, Sir Andrew Davis, Martyn Brabbins | E♭ Major | 0 | 5B | 73 BPM | |
| Violin Sonata No. 1, Op. 31: V. Prestissimo | Paul Hindemith, Herwig Zack | G Minor | 1 | 6A | 81 BPM | |
 | Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | |
 | Ma mère l'oye, M. 60 (Version for Orchestra): II. Petit poucet | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | C Minor | 1 | 5A | 79 BPM | |
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | |
 | Cardillac, Op. 39, Act I (First Version, 1926): Mörder! Mörder! Verborgen! Wo? (Chor) | Paul Hindemith, Vienna State Opera Orchestra, Vienna State Opera Chorus, Cornelius Meister | D♭ Minor | 0 | 12A | 95 BPM | |
 | Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: I. Langsam | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 132 BPM | |
 | Symphony No. 1 in D Minor, Op. 13: III. Larghetto | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | C Minor | 0 | 5A | 69 BPM | |
 | Concerto for Viola & Orchestra: I. Andante comodo | William Walton, Yuri Bashmet, André Previn | D Minor | 0 | 7A | 87 BPM |
- ISRC
- SEAEF9271120
- Label
- L-M Records/RCA Records