What is the BPM for 歌曲集「カリグラム」 VII. 旅 by F. プーランク, 村田健司（バリトン・レジェ）, 上原ひろ子（ピアノ）?

The tempo for 歌曲集「カリグラム」 VII. 旅 is 70 beats per a minute with a half-time of 35 BPM and a double-time of 140 BPM.

What is the music key for 歌曲集「カリグラム」 VII. 旅 by F. プーランク, 村田健司（バリトン・レジェ）, 上原ひろ子（ピアノ）?

The music key for 歌曲集「カリグラム」 VII. 旅 is D♭ Major or a camelot key of 3B.

歌曲集「カリグラム」　VII. 旅 by F. プーランク, 村田健司（バリトン・レジェ）, 上原ひろ子（ピアノ） Song Details

"歌曲集「カリグラム」　VII. 旅" by F. プーランク, 村田健司（バリトン・レジェ）, 上原ひろ子（ピアノ） had its release date on March 31, 1999. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. 歌曲集「カリグラム」　VII. 旅's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in プーランク歌曲集全101曲, so we believe that "歌曲集「カリグラム」　VII. 旅" is a single. 歌曲集「カリグラム」　VII. 旅 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of 歌曲集「カリグラム」　VII. 旅 by F. プーランク, 村田健司（バリトン・レジェ）, 上原ひろ子（ピアノ） is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -25.631 dB
Acousticness: 100%
Danceability: 36%
Energy: 6%
Instrumentalness: 49%
Liveness: 10%
Loudness: 57%
Speechiness: 4%
Valence: 4%

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