"II. Old Castle [I]" by Modest Mussorgsky, Quartetto Accademia had its release date on July 19, 2019. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Modest Mussorgsky, Quartetto Accademia's "Mussorgsky: Pictures at an Exhibition (Arr. E. Impellizzeri for String Quartet)" album is number 4 out of 32. On top of that, Italy appears to be the country where this track was created. Based on our statistics, II. Old Castle [I]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of II. Old Castle [I] by Modest Mussorgsky, Quartetto Accademia to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 2 | 8B | 175 BPM | ||
| Symphonie fantastique, H. 48: IV. Marche au supplice | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
| Symphony in C Major, GB 115: II. Adagio | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | A Minor | 0 | 8A | 117 BPM | ||
| Piano Sonata No. 7 in B-Flat Major, Op. 83: III. Precipitato | Sergei Prokofiev, Yuja Wang | A♭ Major | 3 | 4B | 93 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | D♭ Major | 0 | 3B | 79 BPM | ||
| Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| The Rite of Spring, K15, Pt. 2: XIII. Ritual of the Ancestors | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 67 BPM | ||
| Overture "A Midsummer Night's Dream", Op. 21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | ||
| Symphony No. 4 in G Major: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | ||
| Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: II. Larghetto | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 57 BPM | ||
| Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
| The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
| Enigma Variations, Op. 36: Var. 5. Moderato "R.P.A." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
| Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F♯ Major | 1 | 2B | 74 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: 2. Minuetto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A♭ Major | 0 | 4B | 182 BPM | ||
| Symphony No. 7 in C Major, Op. 105: Adagio | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | C Major | 0 | 8B | 78 BPM | ||
| Boris Godunov, Prologue Scene 1: "Na kogo zh ty nas pokidaesh?" | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Станислав Сулейманов, Николай Низиенко, Людмила Юрченко, Нина Новосёлова, хор Большого театра, Mark Ermler, Оркестр Большого театра | A Minor | 1 | 8A | 88 BPM | ||
| La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
| Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM |