"Variation 6: Wiener Waltzer" by Benjamin Britten, Camerata Nordica, Terje Tonnesen had its release date on November 19, 2013. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Variation 6: Wiener Waltzer's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 19 in Britten: Frank Bridge Variations - Lachrymae - Elegy for Strings - Simple Symphony - Two Portraits by Benjamin Britten, Camerata Nordica, Terje Tonnesen. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Variation 6: Wiener Waltzer is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variation 6: Wiener Waltzer by Benjamin Britten, Camerata Nordica, Terje Tonnesen is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Music for Strings, Percussion and Celesta, Sz. 106: 1. Andante tranquillo | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 71 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Das Lied von der Erde: IV. Von der Schönheit | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 135 BPM | ||
| Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 78 BPM | ||
| O Waly Waly | Traditional, Sir Peter Pears, Benjamin Britten | A Major | 0 | 11B | 86 BPM | ||
| 5 Stücke im Volkston, Op. 102: 3. Nicht schnell, mit viel Ton zu spielen | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | A Major | 0 | 11B | 71 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.2: Introduction | Sir Edward Elgar, Hallé, Sir Mark Elder | F Major | 0 | 7B | 88 BPM | ||
| 5 Songs for Soprano & Orchestra: 3. Winter | Polish National Radio Symphony Orchestra, Witold Lutosławski, Halina Lukomska | D♭ Major | 2 | 3B | 78 BPM | ||
| Variations on a theme of Frank Bridge, Op. 10: II. Adagio | Benjamin Britten, English Chamber Orchestra | F Major | 0 | 7B | 166 BPM | ||
| Sally in Our Alley (Arr. For string orchestra) | Frank Bridge, English Northern Philharmonia, David Lloyd-Jones | A Minor | 0 | 8A | 136 BPM | ||
| War Requiem, Op. 66: i. Requiem Aeternam - Requiem aeternam | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | F Major | 0 | 7B | 133 BPM | ||
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| Gloria, FP 177: V. Domine Deus, Agnus Dei | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 95 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
| Nocturnes, L. 91: III. Sirènes (Arr. for Choir and Orchestra by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | F♯ Major | 0 | 2B | 81 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| Peter Grimes, Op. 33 / Act 1: Interlude II: The Storm | Benjamin Britten, Orchestra of the Royal Opera House, Covent Garden | E Major | 4 | 12B | 102 BPM | ||
| Mahler: Symphony No. 2 in C Minor, "Resurrection": IV. "Urlicht" (Sehr feierlich, aber schlicht) | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | D♭ Major | 0 | 3B | 89 BPM | ||
| Belshazzar's Feast, JS 48: Prelude. Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | G Major | 2 | 9B | 98 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
| Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
| Transfigured Night, Op. 4 (Version for String Orchestra): Pesante - Grave | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | E Major | 0 | 12B | 73 BPM | ||
| Enigma Variations, Op. 36: Var. 5. Moderato "R.P.A." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
| Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM |