Far-Less's 'Forever And A Day' had a release date set for January 1, 2007. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 16 in A Toast To Bad Taste by Far-Less. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Forever And A Day's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Forever And A Day by Far-Less is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hold On | subseven | A♭ Minor | 10 | 1A | 165 BPM | ||
| Disappear (feat. Stephen Christian) | Number One Gun, Stephen Christian | G Major | 10 | 9B | 190 BPM | ||
| Fearless | Falling Up | B Minor | 9 | 10A | 100 BPM | ||
| Put The City To The Sword | Here I Come Falling | A Major | 10 | 11B | 155 BPM | ||
| Last Day of 1888 | Kids In The Way | D♭ Minor | 9 | 12A | 96 BPM | ||
| Who Stays Behind? | The Sleeping | D♭ Major | 9 | 3B | 172 BPM | ||
| Secondhand Surgery | Hopesfall | G Minor | 9 | 6A | 122 BPM | ||
| Vices Like Vipers | Oh, Sleeper | G Major | 10 | 9B | 172 BPM | ||
| Smoke and Mirrors | The Receiving End Of Sirens | C Minor | 9 | 5A | 130 BPM | ||
| Fireflies | Finch | D♭ Minor | 9 | 12A | 170 BPM | ||
| Forever And A Day | Far-Less | G Minor | 4 | 6A | 130 BPM | ||
| Texa$ With A Dollar Sign | Spitalfield | F Major | 9 | 7B | 155 BPM | ||
| Garage Band Degree (Everyone Is Doing It, Why Aren't You?) | Far-Less | G Minor | 9 | 6A | 150 BPM | ||
| So Glad | Far-Less | D Minor | 8 | 7A | 131 BPM | ||
| Dimmer Light | Dead Poetic | C Major | 9 | 8B | 144 BPM | ||
| Make It A Part | Further Seems Forever | D♭ Major | 6 | 3B | 123 BPM | ||
| Aimless Endeavor | Beloved | A Major | 10 | 11B | 175 BPM | ||
| Encounter | Forever Changed | A♭ Minor | 8 | 1A | 163 BPM | ||
| Taste The Red Hands | Dead Poetic | D Minor | 10 | 7A | 94 BPM | ||
| Bitter Taste | Spoken | F♯ Major | 10 | 2B | 99 BPM | ||
| All You Ever Hear | Ivoryline | B♭ Minor | 9 | 3A | 166 BPM | ||
| Semper | Far-Less | G Major | 8 | 9B | 140 BPM | ||
| Best In Mexico | He Is Legend | E Minor | 9 | 9A | 98 BPM | ||
| A Toast To Bad Taste | Far-Less | G Minor | 10 | 6A | 174 BPM | ||
| Incomplete Is A Leech | As Cities Burn | A Minor | 9 | 8A | 117 BPM |