"The Ocean (From "The Cider House Rules" Score)" by Rachel Portman, John Lenehan, David Snell had its release date on November 10, 1999. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 18 in the song's album "The Cider House Rules (Original Score)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, The Ocean (From "The Cider House Rules" Score)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Ocean (From "The Cider House Rules" Score) by Rachel Portman, John Lenehan, David Snell having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Red's Goodbye | Mark McKenzie | G Minor | 0 | 6A | 110 BPM | ||
| The Most Beautiful Girl | Sibille Crawford, Neon Lilith, Janette Vuridon, Royal Philarmonic Cunes | B♭ Major | 3 | 6B | 86 BPM | ||
| Are You Hearing This / Charlie's Sweet Inner Nature | Rolfe Kent | C Major | 0 | 8B | 79 BPM | ||
| Home Again (X-Files: I Want To Believe OST) | Mark Snow | G Major | 0 | 9B | 82 BPM | ||
| You Knew My Heart | O.R.S.M | G Minor | 1 | 6A | 134 BPM | ||
| Home And The Betrothal | Richard Robbins, Richard Robbins And Orchestra, Orchestra | G Major | 1 | 9B | 99 BPM | ||
| Rowena [Mr Holland's Opus] | Michael Kamen, Seattle Symphony Orchestra | E Minor | 0 | 9A | 78 BPM | ||
| Let Justice Be Done | Rachel Portman | E Minor | 0 | 9A | 87 BPM | ||
| Go in Peace | Mark McKenzie | G Major | 2 | 9B | 72 BPM | ||
| Falling In Love (From "Dance with Wolves" Soundtrack) | John Barry | C Major | 0 | 8B | 83 BPM | ||
| Separation and Reunion | Georges Delerue | B♭ Major | 0 | 6B | 97 BPM | ||
| Cliff Tops | Samuel Sim | F Major | 2 | 7B | 127 BPM | ||
| Happily Ever After | Zbigniew Preisner | E Major | 2 | 12B | 83 BPM | ||
| Am I Dead? | Fernando Velázquez | D♭ Minor | 2 | 12A | 59 BPM | ||
| Theme from Mystic River | Clint Eastwood | F Major | 0 | 7B | 131 BPM | ||
| The Sacred Lake | Richard Robbins, Richard Robbins And Orchestra, Orchestra | D♭ Minor | 0 | 12A | 111 BPM | ||
| Jessie and Norman | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| A Caribbean Mystery - Nos Morituri | Dominik Scherrer | G Major | 2 | 9B | 73 BPM | ||
| Brideshead Revisited: No. 6, Arcadia | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F Major | 1 | 7B | 84 BPM | ||
| Last Pitch | Basil Poledouris | A♭ Major | 3 | 4B | 89 BPM | ||
| No Exit | W.G. Snuffy Walden | E Minor | 2 | 9A | 179 BPM | ||
| L'heure Exquise | Reynaldo Hahn, Emma Johnson, John Lenehan | E♭ Major | 0 | 5B | 100 BPM | ||
| Contentment at Dusk | Helen Habershon, John Lenehan | B♭ Minor | 0 | 3A | 67 BPM | ||
| Piano Lullaby | Mark Mancina | C Major | 0 | 8B | 77 BPM | ||
| Body Heat | Harald Kloser | A Minor | 1 | 8A | 83 BPM |