Mark Richardson's ' "Demon" was released on its scheduled release date, April 5, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Supernatural". In this album, this song's track order is #2. Based on our statistics, Demon's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Demon by Mark Richardson having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elijah, Op. 70, MWV A25 / Part 1: "O man of God, help thy people" | Felix Mendelssohn, Bryn Terfel, John Mark Ainsley, Matthew Munro, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | F Minor | 1 | 4A | 126 BPM | ||
| Lucia di Lammermoor / Act 3: "D'immenso giubilo" | Gaetano Donizetti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Minor | 0 | 9A | 89 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| 2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
| The Mikado: So Please You Sir | Lesley Garrett, Mark Richardson, Richard van Allan, Susan Bullock | C Major | 2 | 8B | 124 BPM | ||
| Rusalka, Op.114 / Act 1: Jel mlady lovec, jel a jel | Antonín Dvořák, Ivan Kusnjer, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 0 | 4B | 126 BPM | ||
| Cavalleria rusticana: Part I: Gli aranci olezzano (Women, Men) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | B Major | 1 | 1B | 85 BPM | ||
| Chorus Mysticus: Alles Vergangliche ist nur ein Gleichnis (Chorus) | Julius Röntgen, Machteld Baumans, Marcel Beekman, Andre Morsch, Andreas Post, Mark Richardson, Dennis Wilgenhof, Gijs van Schoonhoven, Koor van de Nationale Reisopera, Netherlands Symphony Orchestra, David Porcelijn | B♭ Major | 1 | 6B | 89 BPM | ||
| Gounod: Faust, Act 2: Choral des épées. "De l'enfer qui vient émousser nos armes" (Chœur, Valentin, Wagner, Siebel) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Martine Mahé, Thomas Hampson, Orchestre Du Capitole De Toulouse | B♭ Major | 2 | 6B | 90 BPM | ||
| West Side Story: IV. The Dance at the Gym - Meeting Scene | Leonard Bernstein, Nina Bernstein, Alexander Bernstein | A Minor | 0 | 8A | 85 BPM | ||
| Novello: King's Rhapsody, Act 1: "If This Were Love" - "Farewell, My Little Mountain Dove" (Serenader, Countess Vera) | Ivor Novello, Mike Sammes Singers, The New World Show Orchestra, Jan Cervenka, Andrew Gold, Pamela Woolmore | G Major | 3 | 9B | 88 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: "What have I to do with thee" | Felix Mendelssohn, Renée Fleming, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B Minor | 2 | 10A | 129 BPM | ||
| Trial by Jury: When First My Old, Old Love I Knew | Gilbert & Sullivan Society of Houston | D Major | 2 | 10B | 77 BPM | ||
| My Fair Lady, Act I Scene 7: Ascot Gavotte | Frederick Loewe, Sinfonia Of London, John Wilson | F♯ Minor | 3 | 11A | 62 BPM | ||
| Cavalleria Rusticana (1987 - Remaster): Viva il vino spumeggiante (Turiddu/Coro/Lola) | Pietro Mascagni, José Carreras, Riccardo Muti, Philharmonia Orchestra | G Major | 3 | 9B | 70 BPM | ||
| 18. When Britain really ruled the waves | Arthur Sullivan, Donald Adams, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A Major | 2 | 11B | 75 BPM | ||
| 39. Poor wand'ring ones, though ye have surely straye | Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Christene Palmer, Philip Potter, George Cook, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | A♭ Major | 1 | 4B | 113 BPM | ||
| Marta's Serenade | The Shabadabas | G Major | 3 | 9B | 88 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Christian Gerhaher, Sir Simon Rattle | E Minor | 2 | 9A | 99 BPM | ||
| Rigoletto, Act I Scene 2: I have returned. But why? (Rigoletto, Borsa, Ceprano, Marullo) | Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Mark Richardson, Terry Jenkins, Alan Opie | C Major | 1 | 8B | 84 BPM | ||
| Romberg: The Desert Song, Act 1: "I Want a Kiss" (Paul, Margot, Chorus) | Sigmund Romberg, Michael Collins, Edmund Hockridge, June Bronhill, The Williams Singers, Michael Collins Orchestra | G Major | 3 | 9B | 88 BPM | ||
| Judicial | EL MENSAJE | G Major | 3 | 9B | 88 BPM | ||
| God Has His Reasons | Mark Richardson | D♭ Major | 4 | 3B | 156 BPM | ||
| The Mikado / Act 1: 14. With aspect stern and gloomy stride | Arthur Sullivan, Kenneth Sandford, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 1 | 9B | 117 BPM | ||
| Microwave | Mark Richardson | B Minor | 8 | 10A | 140 BPM |