Rekha Rao, Tej Karan Rao's ' "Kali Chint Ko Lahanga La Do" was released on its scheduled release date, July 21, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Chhail Chhabili by Rekha Rao, Tej Karan Rao. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Kali Chint Ko Lahanga La Do is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Kali Chint Ko Lahanga La Do by Rekha Rao, Tej Karan Rao is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tera Tha Hu Rahunga | Reshmi Sharma | G Major | 8 | 9B | 100 BPM | ||
| Man Preshan Hai Dil Bhi Hairan Hai | Sanjay Mittal | B Major | 7 | 1B | 118 BPM | ||
| Bhagwan Tumhare Charno Mein | Santosh Upadhyay | C Major | 7 | 8B | 120 BPM | ||
| Chimte Di Chankar | Bandna Dhiman | A♭ Major | 10 | 4B | 132 BPM | ||
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Ram Ram 108 | Ajay Bhai Ji | B Major | 8 | 1B | 85 BPM | ||
| Mera Dil Tujhpe Kurbaan | Manoj Sharma Gwalior | A♭ Major | 9 | 4B | 93 BPM | ||
| Banoge Radha To Ye Janoge | Mukesh Bagda | C Minor | 7 | 5A | 144 BPM | ||
| Hivde Su Dur Mat Jay | Raj Menaria, Rekha Rao | D♭ Major | 7 | 3B | 105 BPM | ||
| Humro Ke Chit Pe Chadha La | Rekha Rao, Shyam Dehati, Rajnish | F♯ Major | 10 | 2B | 145 BPM | ||
| Kalo Ki Kaal Mahakali | Manish Agrawal | D♭ Major | 7 | 3B | 102 BPM | ||
| Papaiya | Seema Mishra, Sanjay Raizada | F♯ Major | 5 | 2B | 122 BPM | ||
| Lagan Shyam Naam Ki | Reshmi Sharma | B♭ Minor | 9 | 3A | 103 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Chaal Chanda Dagaliye Per | Seema Mishra, Mukesh Bagda | A♭ Minor | 6 | 1A | 179 BPM | ||
| Tera Darsh Paane Ko Ji Chahta Hai | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 79 BPM | ||
| Devra Gilly Danda Khelva | Rekha Rao | F Minor | 8 | 4A | 140 BPM | ||
| Deenanath Meri Baat | Lakhbir Singh Lakha | D Major | 7 | 10B | 86 BPM | ||
| Akhiyan Ho Rhi Lal Gulal | Sanju Sharma | G Major | 7 | 9B | 118 BPM | ||
| Mat Maro Re Shyam Rang Pichkari | Tej Karan Rao, Rekha Rao | E Major | 6 | 12B | 131 BPM | ||
| Mahari Titri | Rekha Rao, Pramesh Premi | B♭ Minor | 9 | 3A | 110 BPM | ||
| Mai Sabse Badi Hai Tu | Riza Khan, Bali Thakre | E Major | 8 | 12B | 104 BPM | ||
| Hazari Likhwata Hu Har Gyaras Mein | Sanjay Mittal | G Minor | 8 | 6A | 80 BPM | ||
| Bhola Tera Dum Dum Damroo Baje | Brijraj Singh Lakkha | F♯ Major | 7 | 2B | 157 BPM | ||
| Dil Wali Paalki | Narendra Chanchal | A♭ Major | 7 | 4B | 73 BPM |