"Night Ops" by Tom Salta had its release date on February 9, 2010. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Tom Clancy's H.A.W.X. 2 (Original Game Soundtrack)". In this album, this song's track order is #17. Based on our statistics, Night Ops's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Night Ops by Tom Salta having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Into the Storm | Piotr Musiał | G Minor | 5 | 6A | 75 BPM | ||
| Code of Conduct | Hans Zimmer | D Major | 7 | 10B | 96 BPM | ||
| The Fleets Arrive | Sam Hulick | C Major | 4 | 8B | 101 BPM | ||
| The Survivors | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| The Last of Clan Adachi | Ilan Eshkeri | G Minor | 7 | 6A | 159 BPM | ||
| Frameshift & Starports: Frameshift Suite - First Movement - Andromeda | Erasmus Talbot | D Minor | 2 | 7A | 92 BPM | ||
| Our Disease | Keith Power | G Major | 3 | 9B | 159 BPM | ||
| End Credits Part 2 | Joel Nielsen | G Minor | 4 | 6A | 125 BPM | ||
| Zero Gravity | Trevor Gureckis | C Minor | 3 | 5A | 59 BPM | ||
| Saint | Ola Strandh | G Major | 8 | 9B | 94 BPM | ||
| First Step | Brian Trifon, Lennie Moore, Paul Lipson, Tom Salta | A♭ Major | 6 | 4B | 109 BPM | ||
| Atlantis of the Sands | Greg Edmonson | D Major | 5 | 10B | 141 BPM | ||
| Operation Tonga | Bear McCreary | C Major | 5 | 8B | 120 BPM | ||
| Reckoning Main Theme | Grant Kirkhope | D♭ Major | 3 | 3B | 60 BPM | ||
| Sacrifice | Halo, Curtis Schweitzer | F Major | 6 | 7B | 102 BPM | ||
| No End in Sight | Tom Salta | D Major | 7 | 10B | 121 BPM | ||
| Psycho Mantis | Rich Douglas | D♭ Major | 2 | 3B | 100 BPM | ||
| Welcome to Blackreef | Tom Salta, Aeralie Brighton, Various Artists | F Minor | 4 | 4A | 111 BPM | ||
| Badass Crater of Badassitude Ambience | Kevin Riepl | A Major | 2 | 11B | 120 BPM | ||
| Mortuary | Ola Strandh | G Major | 4 | 9B | 135 BPM | ||
| Karl's Bay | Tom Salta, Various Artists | A Minor | 3 | 8A | 148 BPM | ||
| Ghosts of Void | Keith Power | D♭ Major | 2 | 3B | 77 BPM | ||
| Chaos Approaches | Doyle W. Donehoo | A♭ Major | 7 | 4B | 115 BPM | ||
| Manhattan Assault | Brian Tyler | D Major | 8 | 10B | 87 BPM | ||
| Collapse | 中島健太郎 | B Minor | 6 | 10A | 150 BPM |