Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Young Adelaide Voices with Christie Anderson, Tilda Cobham Hervey's 'What Do You Do With An Idea?: The Egg Appears' had a release date set for January 9, 2024. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. What Do You Do With An Idea?: The Egg Appears's duration is considered a little bit shorter than the average duration of a typical track. This song is part of What Do You Do With An Idea? by Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman. The song's track number on the album is #2 out of 10 tracks. Based on our statistics, What Do You Do With An Idea?: The Egg Appears's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since What Do You Do With An Idea?: The Egg Appears by Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Young Adelaide Voices with Christie Anderson, Tilda Cobham Hervey has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With What Do You Do With An Idea?: The Egg Appears being at 124 BPM, the half-time would be 62 BPM with a double-time of 248 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What Do You Do With An Idea?: One Day | Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Young Adelaide Voices with Christie Anderson, Tilda Cobham Hervey | F Major | 2 | 7B | 124 BPM | ||
| String of Pearls | The Royal Wind Music | E♭ Minor | 0 | 2A | 96 BPM | ||
| Repentes | Armonias | A Major | 2 | 11B | 144 BPM | ||
| Con Contratiempos | Armonias | D Major | 3 | 10B | 68 BPM | ||
| Dr. Merryheart: IX. The Dance Of Merryheart - Merryhearts Tanz | RTÉ National Symphony Orchestra, Havergal Brian | C Major | 3 | 8B | 104 BPM | ||
| For Yim | Danke Timi Briggs | G Minor | 3 | 6A | 151 BPM | ||
| Flourish Forever | Fiona Ubong | B♭ Minor | 1 | 3A | 66 BPM | ||
| Glazunov: Concert Waltz No. 1, Op. 47 | Alexander Glazunov, Sir Charles Mackerras, Philharmonia Orchestra | G Major | 0 | 9B | 59 BPM | ||
| Stan and Mabel: 11. Houston the Horse | Paul Rissmann, Adelaide Symphony Orchestra, Benjamin Northey | F Minor | 0 | 4A | 56 BPM | ||
| Peter and the Wolf, Op. 67: Suddenly, Something Caught Peter's Attention | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 85 BPM | ||
| Scheherazade the Young Prince and the Princess | Olive the Otter Dog | C Major | 0 | 8B | 80 BPM | ||
| The Sound Of Music (Selections) | Richard Rodgers, Richard Hayman, Richard Hayman Symphony Orchestra | F Major | 2 | 7B | 125 BPM | ||
| The Fire Dance of Luna | Darius Lim, Voices of Singapore Children’s Choir, Gabriel Hoe, Richard Ter, Julian Li | A Minor | 2 | 8A | 71 BPM | ||
| Through the Looking-Glass: I. The Looking-Glass House | Paul Rissmann, Lee Reynolds, London Symphony Orchestra, Emily Dickens | G Minor | 3 | 6A | 173 BPM | ||
| Teil 7 - Folge 32: Professor van Dusen und das Auge des Zyklopen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Herbert Stass, Arnold Marquis, Helmut Wildt, Eva Manhardt, Susanna Bonaséwicz, Ingrid Kaehler | F Minor | 1 | 4A | 63 BPM | ||
| Descanso Entre Tinieblas | Las Eternas | D Minor | 5 | 7A | 151 BPM | ||
| Ritmos Crecientes | Las Guerreras | E Major | 1 | 12B | 77 BPM | ||
| The Man from Snowy River (Arr. for Piano & Chamber Orchestra by Sam Abramson) | Bruce Rowland, BYU Chamber Orchestra, Nathan Haines, Molly Smith | D Major | 2 | 10B | 83 BPM | ||
| Through the Looking-Glass: V. The White Queen | Paul Rissmann, Lee Reynolds, London Symphony Orchestra, Emily Dickens, Joanna Harries, Richard Pinkstone, Neil Balfour | F Minor | 1 | 4A | 116 BPM | ||
| Embraceable You | Tatiana Bookbinder | D Major | 1 | 10B | 70 BPM | ||
| Peter and the Wolf, Op. 67: He Ran Home, Got a Strong Rope and Climbed up the High Stone Wall | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 2 | 8B | 130 BPM | ||
| On the Beach at Rota | Gloria Brass | B♭ Major | 4 | 6B | 79 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | G Major | 0 | 9B | 59 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| ホフマンの舟歌 (feat. フィルハーモニア管弦楽団) | Herbert von Karajan, フィルハーモニア管弦楽団 | G Major | 1 | 9B | 72 BPM |