Phillip Doc Martin's ' "Good Day at Work" was released on its scheduled release date, June 2, 2014. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Phillip Doc Martin's "Good Day at Work" album is number 1 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Good Day at Work is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Good Day at Work by Phillip Doc Martin to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forever Grey | Dave Bradshaw Jr. | D♭ Major | 7 | 3B | 105 BPM | ||
| Jazzy Fruit | Jeffery Smith | B♭ Minor | 5 | 3A | 88 BPM | ||
| Throwin' It Down (feat. Darren Rahn) | Wayman Tisdale, Darren Rahn | G Minor | 9 | 6A | 104 BPM | ||
| Everything Is Well | Melvin Pierce | D♭ Major | 8 | 3B | 100 BPM | ||
| Fixation | Randy Scott | F Minor | 4 | 4A | 85 BPM | ||
| What Cha' Know About That | Lisa Addeo | C Minor | 6 | 5A | 92 BPM | ||
| Groove Commission | Andy Snitzer | C Major | 6 | 8B | 101 BPM | ||
| Ridin' High | Phillip Doc Martin | F Minor | 6 | 4A | 92 BPM | ||
| Morning Call | Nick Colionne | G Major | 7 | 9B | 104 BPM | ||
| Southbound | Eric Essix | E Minor | 6 | 9A | 92 BPM | ||
| City of Lights | Johnny Britt | A♭ Minor | 3 | 1A | 168 BPM | ||
| Belmont Ave | Jacob Webb | F Major | 7 | 7B | 107 BPM | ||
| Deep Dive | Will Donato | F Minor | 8 | 4A | 110 BPM | ||
| Taboo | Skinny Hightower, Andrew Hawkley | F Major | 9 | 7B | 90 BPM | ||
| Passion Play | Andy Snitzer | B Minor | 5 | 10A | 138 BPM | ||
| Free & Easy | Alfonzo Blackwell | G Major | 7 | 9B | 156 BPM | ||
| Be Free | Kevin Jackson | F Minor | 6 | 4A | 106 BPM | ||
| Every Time I Open My Eyes | André Ward | B♭ Minor | 6 | 3A | 93 BPM | ||
| We Are One | Althea Rene | G Minor | 7 | 6A | 96 BPM | ||
| Midnight | Bobby Lyle | B♭ Major | 4 | 6B | 150 BPM | ||
| Labyrinth | Skinny Hightower | D♭ Major | 8 | 3B | 104 BPM | ||
| Good Day at Work | Phillip Doc Martin | A♭ Major | 7 | 4B | 100 BPM | ||
| Special Lady | Alfonzo Blackwell | F♯ Major | 6 | 2B | 99 BPM | ||
| Can We Talk? | Dean James | F Major | 5 | 7B | 172 BPM | ||
| Here We Go Again | Bobby Lyle | G Major | 8 | 9B | 103 BPM |