- BPM
- 83
- Key
- E Major
- Camelot
- 12B
Verdi: Aida, Act 4: "Ohimè! morir mi sento!" (Amneris) by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra Song Details
"Verdi: Aida, Act 4: "Ohimè! morir mi sento!" (Amneris)" by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra had its release date on 1974. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Verdi: Aida, Act 4: "Ohimè! morir mi sento!" (Amneris)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Aida by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #17 out of 55 tracks. Verdi: Aida, Act 4: "Ohimè! morir mi sento!" (Amneris) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Verdi: Aida, Act 4: "Ohimè! morir mi sento!" (Amneris) by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Aida, Act 4: "Ohimè! morir mi sento!" (Amneris) being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 13%
- Loudness
- -22.256 dB
- Acousticness
- 98%
- Danceability
- 23%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 15%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Norma (1997 Digital Remaster), ACT 2, Scene 2: Ah! del Tebro al giogo indegno (Oroveso/Chorus) | Vincenzo Bellini, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 83 BPM | |
 | Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 3 | 10B | 108 BPM | |
 | La Gioconda / Act 1: Voce di donna ... a te questo rosario | Amilcare Ponchielli, Alfreda Hodgson, Montserrat Caballé, Agnes Baltsa, Regolo Romani, John del Carlo, Nicolai Ghiaurov, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 1 | 5B | 89 BPM | |
 | L'elisir d'amore / Act 1: "Signor sargente" | Gaetano Donizetti, Maria Casula, Dominic Cossa, Luciano Pavarotti, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 84 BPM | |
| L'elisir d'amore / Act 1: "Caro elisir! Sei mio!" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | C Minor | 1 | 5A | 115 BPM | |
 | Puccini: La bohème, Act 4: "C'è Mimì...c'e Mimì che mi seque" (Musetta/Rodolfo/Schaunard/Mimì/Marcello) | Giacomo Puccini, Anna Moffo, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 71 BPM | |
| L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | |
 | Carmen, Act III, No.20 Trio: En vain pour éviter (Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 1 | 3B | 83 BPM | |
 | Norma (Ed. Biondi & Minasi), Act I Scene 1: Me protegge, me difende | Vincenzo Bellini, John Osborn, Reinaldo Macias, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | E♭ Major | 4 | 5B | 59 BPM | |
 | Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | |
 | Cavalleria Rusticana (1987 - Remaster): O Lola ch'hai di lattl la cammisa (Turiddu) | Pietro Mascagni, José Carreras, Riccardo Muti, Philharmonia Orchestra | F Minor | 0 | 4A | 96 BPM | |
| Bizet: Carmen, WD 31, Act 3: "Quant au douanier" (Carmen, Frasquita, Mercédès, Le Dancaïre, Le Remendado, Chœur) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Les Éléments, Nicolas Rivenq, Yann Beuron, Orchestre National Du Capitole De Toulouse | F♯ Major | 2 | 2B | 123 BPM | |
 | La traviata, Act I: E strano! – Ah, fors'è lui | Giuseppe Verdi, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Minor | 0 | 4A | 83 BPM | |
 | Puccini : La bohème : Act 4 "Sono andati?" [Mimì, Rodolfo] | Giacomo Puccini, James Conlon, Orchestre National De France | A♭ Major | 0 | 4B | 90 BPM | |
 | Un ballo in maschera, Act I: S'avanza il conte - La rivedrà nell'estasi - Il cenno mio | Giuseppe Verdi, Edita Gruberova, Plácido Domingo, Giovanni Foiani, Ruggero Raimondi, Renato Bruson, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | |
 | Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 115 BPM | |
 | Verdi: Messa da Requiem: VII. Rex tremendae | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | |
 | Don Pasquale, Act III Terza Scena: Che interminabile andirivieni! (Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 2 | 11B | 107 BPM | |
 | Madama Butterfly (1986 - Remaster), Act I: L'Imperial Commissario (Goro/Pinkerton/Coro/Butterfly/Cugina/La Madre/Yakuside/Zia/Sharpless) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | B♭ Major | 3 | 6B | 110 BPM | |
 | Candide / Act I: 13. You Were Dead, You Know | Leonard Bernstein, June Anderson, Jerry Hadley, London Symphony Orchestra | C Major | 2 | 8B | 79 BPM | |
 | Requiem: VII. Recordare | Giuseppe Verdi, Sir Colin Davis, Karen Cargill, London Symphony Orchestra, Christine Brewer | F Major | 0 | 7B | 85 BPM | |
 | Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | |
| L'elisir d'amore / Act 2: "La donna è un animale...Venti scudi" | Gaetano Donizetti, Dominic Cossa, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | A Major | 1 | 11B | 74 BPM | |
 | Falstaff / Act 3: Dal labbro il canto estasiato | Giuseppe Verdi, Dalmacio Gonzales, Barbara Hendricks, Katia Ricciarelli, Lucia Valentini Terrani, Brenda Boozer, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 127 BPM | |
| Falstaff / Act I: "Falstaff!" - "Olà!" - "Sir John Falstaff!" | Giuseppe Verdi, Enrico Facini, Bryn Terfel, Anthony Mee, Anatolij Kotscherga, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records