"In Nomine a 7 in G Minor, Z. 747, "Dorian": Seven-Part In Nomine, Z. 747, "Dorian"" by Henry Purcell, The Rose Consort Of Viols had its release date on July 29, 1997. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Purcell: Fantazias". In this album, this song's track order is #15. In terms of popularity, In Nomine a 7 in G Minor, Z. 747, "Dorian": Seven-Part In Nomine, Z. 747, "Dorian" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In Nomine a 7 in G Minor, Z. 747, "Dorian": Seven-Part In Nomine, Z. 747, "Dorian" by Henry Purcell, The Rose Consort Of Viols having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quinta a 4, Canto Alto Tenor Basse | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | B♭ Major | 2 | 6B | 116 BPM | ||
| Welcome to all the pleasures, "Ode on St. Cecilia's Day", Z. 339 | Henry Purcell, Jeni Bern, Susan Bisatt, William Purefoy, Christopher Robson, Ian Honeyman, Thomas Guthrie, Choir of the Golden Age, Orchestra of the Golden Age, Robert Glenton | E♭ Minor | 0 | 2A | 68 BPM | ||
| Sacrae symphoniae: Sonata pian e forte a 8 (Arr. E. Crees) | Giovanni Gabrieli, London Symphony Brass, Eric Crees | A Minor | 1 | 8A | 96 BPM | ||
| Concerto in B-Flat Major, Op.7, No.1: IV. Bourrée: Allegro | George Frideric Handel, Academy of Ancient Music, Richard Egarr | A Major | 1 | 11B | 77 BPM | ||
| Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: I. Largo | Tomaso Albinoni, Ensemble 415, Chiara Banchini | B Major | 7 | 1B | 108 BPM | ||
| La Novellina | Gioseffo Guami, Liuwe Tamminga, Maria Christina Cleary, Claudia Pasetto, Leonardo Bortolotto, Alberto Rasi, Bruce Dickey | F♯ Major | 2 | 2B | 74 BPM | ||
| Messa Della Domenica: Canzon Dopo la Pistola | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
| Concerto a cinque No. 6, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Major | 4 | 3B | 118 BPM | ||
| Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus] | William Christie | C Minor | 1 | 5A | 182 BPM | ||
| Ciaccona for 2 Treble Instruments & Continuo, Op. 12 No. 20 | Tarquinio Merula, Leila Schayegh, La Centifolia | B Major | 2 | 1B | 80 BPM | ||
| Suite Premiere - Vi. Marche Espagnole (Charles Desmazures) | Grupo de musica barroca La Folia/Pedro Bonet | E♭ Minor | 2 | 2A | 133 BPM | ||
| Improvisation [Harpsichord] | Il Giardino Armonico | E♭ Minor | 1 | 2A | 131 BPM | ||
| Chacony in G minor Z 730 | Henry Purcell, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 106 BPM | ||
| Lachrimae or Seven Tears: V. Lachrimae coactae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona | Henry Purcell, Philip Ledger, The Philip Jones Brass Ensemble | B♭ Major | 0 | 6B | 128 BPM | ||
| Trio Sonata in F Major, Op. 1 No. 1: I. Grave – II. Allegro – III. Adagio – IV. Allegro | Arcangelo Corelli, Simon Standage, Micaela Comberti, Anthony Pleeth, Trevor Pinnock | E Major | 1 | 12B | 71 BPM | ||
| Mystery Sonata No. 3 "The Nativity": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B♭ Minor | 1 | 3A | 173 BPM | ||
| The Tempest, Z. 631, "The Enchanted Island": Masque Of Spirits, Act II, No. 5 (Dance of the Winds) | Thomas Shadwell, Paul Grindlay, Nils Brown, Michael Colvin, Meredith Hall, Rosemarie van der Hooft, Gillian Keith, Aradia Ensemble, Brett Polegato, John Dryden, Henry Purcell | B Major | 5 | 1B | 124 BPM | ||
| Purcell: The Fairy Queen, Z. 629, Act 5: No. 54, Chaconne (Dance for Chinese Man and Woman) - with Trumpet | Alison Balsom, Henry Purcell, Trevor Pinnock, The English Concert | B Major | 1 | 1B | 129 BPM | ||
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
| Te Deum, H. 146: IV. Per te orbem terrarum | Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 180 BPM | ||
| Intermedes de Xerxes: Air pour les Paysans et Paysanes | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 67 BPM | ||
| Les Boréades / Act V: Prélude - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | E Major | 0 | 12B | 69 BPM | ||
| Symphonies pour le Festin Royal du Comte d'Artois, Suite in G minor: Contredanse | François Francoeur, La Simphonie Du Marais, Hugo Reyne | D♭ Minor | 3 | 12A | 109 BPM |