"Lumen ad revelationem gentium (Nunc dimittis)" by Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella had its release date on September 25, 2015. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The song is number 4 out of 16 in Cantate Domino - La Cappella Sistina e la musica dei Papi by Sistine Chapel Choir, Massimo Palombella. Based on our statistics, Lumen ad revelationem gentium (Nunc dimittis)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lumen ad revelationem gentium (Nunc dimittis) by Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem: VI. Agnus Dei | Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin | E♭ Minor | 1 | 2A | 63 BPM | ||
| Strengthen ye the weak hands | David Buckley, Peter Morton, Rachel Robinson, Christopher Monks | G Major | 1 | 9B | 129 BPM | ||
| Missa Papae Marcelli: Sanctus | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Major | 1 | 11B | 134 BPM | ||
| Palestrina: Missa Papae Marcelli - 06. Credo | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | B Major | 2 | 1B | 86 BPM | ||
| Allegri (Roberts): Miserere (Omitting Verses 7-18) | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 1 | 6A | 67 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
| In semiduplicibus majoribus II: IIa. Gloria | Giovanni Pierluigi da Palestrina, Michel Van Goethem, Renzo Bez, Vincenzo di Donato, Furio Zanasi, Sergio Foresti, Liuwe Tamminga, Sergio Vartolo | F Major | 1 | 7B | 132 BPM | ||
| Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
| Nunc Dimittis | Giovanni Pierluigi da Palestrina, Choir of Merton College, Oxford, Peter Phillips | D♭ Major | 2 | 3B | 83 BPM | ||
| In festis Apostolorum I: IV. Sanctus | Giovanni Pierluigi da Palestrina, Michel Van Goethem, Renzo Bez, Vincenzo di Donato, Furio Zanasi, Sergio Foresti, Liuwe Tamminga, Sergio Vartolo | A Minor | 3 | 8A | 82 BPM | ||
| Taverner: Missa Corona spinea - 10. Agnus Dei 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 65 BPM | ||
| Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
| Fides Caritatis | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | F Major | 0 | 7B | 72 BPM | ||
| Nativity of the Mother of God, Megalynarion | Choir of the Monks of Chevetogne | F♯ Minor | 1 | 11A | 80 BPM | ||
| Jesu! Rex admirabilis, IGP 27 | Giovanni Pierluigi da Palestrina, Pro Musica, Szabó Dénes | D Minor | 0 | 7A | 129 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM | ||
| Audi tellus (Leich) | Petrus Wilhelmi De Grudencz, Schola Gregoriana Pragensis | A♭ Major | 2 | 4B | 119 BPM | ||
| Glória e Louvor (Aclamação - Ano A) | Dom André Martins, Abadia da Ressurreição | D Major | 0 | 10B | 90 BPM | ||
| Let All Mortal Flesh, Valaam Chant | Cherubika | E Minor | 1 | 9A | 65 BPM | ||
| Le 13ème Kontakion | Ensemble des chants et choeurs russes orthodoxes | F Minor | 1 | 4A | 76 BPM | ||
| Allegri: Miserere - 09. Quoniam si voluisses | Gregorio Allegri, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 75 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Laus Tibi Christe - Beati Qui Habitant | Massimo Palombella, Cappella Musicale Pontificia Sistina, Juan Paradell Solè, Gruppo di Ottoni della Cappella Musicale Pontificia Sistina | B♭ Major | 2 | 6B | 143 BPM |