"Suite for String Orchestra: III. Intermezzo" by Imogen Holst, BBC Concert Orchestra, Alice Farnham had its release date on September 6, 2024. This song is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The track order of this song in Imogen Holst's "Imogen Holst: Discovering Imogen" album is number 13 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Suite for String Orchestra: III. Intermezzo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite for String Orchestra: III. Intermezzo by Imogen Holst, BBC Concert Orchestra, Alice Farnham to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Regem, cui omnia vivunt – Venite, exsultemus | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| 3 Sacred Hymns: 3. Our Father | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E Minor | 1 | 9A | 68 BPM | ||
| Maidan 2014 / Cycle IV: II. Elegy | Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych | F Minor | 0 | 4A | 77 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Song 20 - Arr. for Vocal Ensemble by Timothy Roberts & Patrick Dunachie | Orlando Gibbons, The King's Singers, Jeremy West | G Major | 0 | 9B | 101 BPM | ||
| Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas | Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson | E♭ Major | 1 | 5B | 88 BPM | ||
| Vexilla regis, WAB 51 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | F Major | 0 | 7B | 82 BPM | ||
| Actus Caritatis | Pēteris Vasks, Youth Choir "Kamer...", Patriks Kārlis Stepe | D Major | 1 | 10B | 132 BPM | ||
| Justorum Animae | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 0 | 9B | 145 BPM | ||
| The Cherubic Hymn | Alexander Pierce Hill, Apollo5 | G Major | 0 | 9B | 101 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | E♭ Major | 1 | 5B | 113 BPM | ||
| O filii et filiæ | Henrik Ødegaard, Vox Clamantis, Jaan-Eik Tulve | G Minor | 1 | 6A | 93 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Body of the Lord | Komitas, Armen Badalyan, Latvian Radio Choir, Sigvards Kļava | G Major | 2 | 9B | 84 BPM | ||
| Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | ||
| The Evening Watch, Op. 43, No. 1 | Gustav Holst, The Purcell Singers, Imogen Holst | E Minor | 1 | 9A | 76 BPM | ||
| Lydian (Arr. R. Smedvig) | Rolf Smedvig, Hildegard von Bingen, Empire Brass | F Major | 0 | 7B | 126 BPM | ||
| Duo for Viola & Piano: II. Poco lento | Imogen Holst, Tom Hankey, Daniel Swain | A Minor | 1 | 8A | 136 BPM | ||
| The Fall of the Leaf: II. Vivace | Imogen Holst, Steven Isserlis | F Major | 0 | 7B | 152 BPM | ||
| A Moorside Suite, H. 173: II. Nocturne (Version for Orchestra) | Gustav Holst, English Chamber Orchestra, Imogen Holst | A Major | 0 | 11B | 90 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Rundfunkchor, Risto Joost | D Major | 2 | 10B | 102 BPM | ||
| Seven Part Songs: Assemble All Ye Maidens | Gustav Holst, Susan Longfield, The Purcell Singers, English Chamber Orchestra, Imogen Holst | F♯ Minor | 0 | 11A | 85 BPM | ||
| Berliner Messe: VII. Sanctus | Arvo Pärt, Tõnu Kaljuste, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra | D♭ Minor | 0 | 12A | 84 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | G Major | 0 | 9B | 101 BPM | ||
| Sāvitri, Op. 25: Loneliness and Pain are ended | Gustav Holst, Janet Baker, Robert Tear, Thomas Hemsley, The Purcell Singers, English Chamber Orchestra, Imogen Holst | C Major | 0 | 8B | 70 BPM | ||
| O Sing to the Lord | Lucy Walker, St Martin's Voices, Andrew Earis | G Major | 1 | 9B | 88 BPM |