"Commander Matt Decker / The Crew That Was" by Alexander Courage, Gerald Fried, Bob Karlan had its release date on 1967. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Commander Matt Decker / The Crew That Was's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Star Trek, Vol. 2 - Doomsday Machine and Amok Time". In this album, this song's track order is #4. In terms of popularity, Commander Matt Decker / The Crew That Was is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Commander Matt Decker / The Crew That Was by Alexander Courage, Gerald Fried, Bob Karlan having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Robo & ED 209 Fight | Basil Poledouris | F♯ Major | 3 | 2B | 91 BPM | ||
| Crash Landing | Jerry Goldsmith | D♭ Major | 1 | 3B | 130 BPM | ||
| Ride Of The Valkyries (Theme From Apocalypse Now) | The London Theatre Orchestra | G Major | 2 | 9B | 88 BPM | ||
| The Processional | Alexander Courage, Gerald Fried, Bob Karlan | A Major | 3 | 11B | 118 BPM | ||
| The New Avengers Theme | The Laurie Johnson Orchestra | C Major | 9 | 8B | 120 BPM | ||
| Into the Jaws of Death | Transformers | B♭ Major | 9 | 6B | 168 BPM | ||
| Fully Functional | Star Trek - First Contact | B♭ Minor | 0 | 3A | 47 BPM | ||
| Flying Messenger | Oliver Armstrong | D Minor | 0 | 7A | 144 BPM | ||
| Main Title (From Star Trek: The Original Series) | Meridian Productions, Alexander Courage, Gene Roddenberry | B♭ Major | 3 | 6B | 82 BPM | ||
| The "It," Fifty Dollar Bills And A Stiff | Dave Grusin | A♭ Major | 2 | 4B | 110 BPM | ||
| Star Trek (Main Title) | Alexander Courage, Gerald Fried, Bob Karlan | B♭ Major | 3 | 6B | 73 BPM | ||
| Bank Job | John Ottman | B Major | 4 | 1B | 141 BPM | ||
| Shape | Ennio Morricone | A♭ Minor | 0 | 1A | 76 BPM | ||
| Multi-Music Canada for Orchestra: IV. Anglophonos - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | E♭ Minor | 0 | 2A | 67 BPM | ||
| The "Shag-adelic" Austin Powers Score Medley | George S. Clinton | G Minor | 2 | 6A | 84 BPM | ||
| Lubricator | Frank McDonald, Chris Rae, De Wolfe Music | A Major | 7 | 11B | 154 BPM | ||
| Main Titles Theme (From "The Avengers") | Laurie Johnson | G Major | 6 | 9B | 155 BPM | ||
| Street Beat | Kenny Graham | F Minor | 4 | 4A | 146 BPM | ||
| Thoughts on My Heartbeats | Steven Schondler, Neon Lilith, Samantha L Miller, Metasymphony | B Major | 2 | 1B | 88 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Maschinenhalle mit Moloch | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | C Minor | 0 | 5A | 88 BPM | ||
| THE MONUMENTS MEN: Main Theme | The Meridian Studio Ensemble | F Major | 4 | 7B | 117 BPM | ||
| Rat Race | Kenny Graham | F♯ Major | 6 | 2B | 121 BPM | ||
| Quasi-Sex (Theme from Star Trek, Jazz Version) [The Conscience of the King] | Joseph Mullendore, Alexander Courage, Gene Roddenberry | C Major | 2 | 8B | 83 BPM | ||
| Prologue | Joseph Loduca | E Major | 2 | 12B | 170 BPM | ||
| Caged / Temper, Temper / Tricky Willie (A Day at the Zoo) | Alexander Courage | D Major | 0 | 10B | 59 BPM |