Peter Palmer's ' "Too Marvelous For Words" was released on its scheduled release date, January 1, 2000. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 15 in A Swingin' Love Affair by Peter Palmer. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Too Marvelous For Words is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Too Marvelous For Words by Peter Palmer is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lullaby - Apukád erős kezén | Original Broadway Cast, Judy Kuhn, Neal Ben-Ari | D Major | 1 | 10B | 80 BPM | ||
| 1776: Cool, Cool, Considerate Men | Sherman Edwards, Paul Hecht, David Ford, 1776 Ensemble, Peter Howard | C Minor | 4 | 5A | 96 BPM | ||
| Finale - Act II | Rise Stevens, Robert Merrill, Jo Sullivan, Sadie McCollum, Peter Palmer | F Major | 1 | 7B | 85 BPM | ||
| H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
| The Tale of a Coat | Rise Stevens, Jo Sullivan, Sadie McCollum, Peter Palmer, Robert Merrill, Michael Kermoyan | C Major | 2 | 8B | 103 BPM | ||
| Namely You | Leslie Parrish, Peter Palmer | F♯ Major | 2 | 2B | 65 BPM | ||
| What Ought We to Do? | The Pirates Of Penzance | A♭ Minor | 3 | 1A | 59 BPM | ||
| No, I Am Brave | The Pirates Of Penzance | D Minor | 3 | 7A | 132 BPM | ||
| I Have Danced | Maury Yeston, Victoria Clark, Bill Buell, Original Broadway Cast of Titanic: The Musical, Kevin Stites | F Major | 0 | 7B | 91 BPM | ||
| Wond'rin' | The Charlottetown Festival | B♭ Major | 1 | 6B | 113 BPM | ||
| Much More | Rita Gardner | E Minor | 2 | 9A | 132 BPM | ||
| Just In Time | Judy Holliday | G Minor | 1 | 6A | 121 BPM | ||
| Consider Yourself | Michael Goodman, Bruce Prochnik, Oliver! Ensemble | C Major | 2 | 8B | 136 BPM | ||
| Runyonland Music / Fugue For Tinhorns / Follow The Fold (from "Guys & Dolls") | Stubby Kaye, Johnny Silver, Douglas Deane, Isabel Bigley | A Minor | 2 | 8A | 71 BPM | ||
| Soldiers' Gossip (#3) | Original Broadway Cast Of 'Passion' | D Major | 3 | 10B | 102 BPM | ||
| Finale Act II | Rise Stevens, Jo Sullivan, Sadie McCollum, Robert Merrill, Peter Palmer, Michael Kermoyan, Eugene Morgan, The Chocolate Soldier Ensemble (1958) | B Major | 2 | 1B | 82 BPM | ||
| Bless Yore Beautiful Hide - (Rehearsal Recording) | Howard Keel | C Major | 1 | 8B | 160 BPM | ||
| In the Still of the Night | Peter Palmer | B Major | 1 | 1B | 132 BPM | ||
| Goodbye My Love | Marin Mazzie | B♭ Major | 1 | 6B | 85 BPM | ||
| Cabaret: What Would You Do? | John Kander, Lotte Lenya, Harold Hastings | A♭ Minor | 2 | 1A | 79 BPM | ||
| The Biggest Ain't the Best | Nunsense 30th Anniversary Cast | B♭ Minor | 3 | 3A | 121 BPM | ||
| You Are Never Away | Patrick Wilson, Rodgers & Hammerstein | A Minor | 3 | 8A | 87 BPM | ||
| Wunderbar | Broadway Cast Recording | A Minor | 2 | 8A | 97 BPM | ||
| Who Can I Turn To (When Nobody Needs Me) | Anthony Newley | C Major | 3 | 8B | 88 BPM | ||
| I Am Ashamed That Women Are So Simple | Broadway Cast Recording | D♭ Major | 2 | 3B | 82 BPM |