Rajni Pallavi's ' "Daya Karu Shighra He Kali" was released on its scheduled release date, September 14, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 8 in Bhagwati Geet Sangrah, Vol. II by Rajni Pallavi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Daya Karu Shighra He Kali is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Daya Karu Shighra He Kali by Rajni Pallavi is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mere Bhole Baba Ko Anadi Mat | Manish Tiwari | F♯ Major | 4 | 2B | 88 BPM | ||
| Kishkindhakand -5 - Shri Ramcharitmanas - Kishkindhakand | Kamlesh Upadhyay | A♭ Major | 5 | 4B | 100 BPM | ||
| JAI JAI AARTI NITYANAND RAYA | Group Chant | D♭ Minor | 9 | 12A | 105 BPM | ||
| Shanidev Vandan | Nitin Devka | B Major | 3 | 1B | 75 BPM | ||
| Uthu He Gaura Bhaye Gel Bhangak Bera | Rajni Pallavi | E♭ Minor | 6 | 2A | 139 BPM | ||
| Ondhaal Gayi Mhanuni-Abhang | Samir Rama Kadam | D♭ Major | 7 | 3B | 138 BPM | ||
| Hare Krishna Vol 6 Part 5 | Bitu Samajpati | A Major | 6 | 11B | 117 BPM | ||
| Kakhet Zoli Hatat Chimta Aadesh Bolale | Sandeep Nighut | A Minor | 9 | 8A | 174 BPM | ||
| Tujha Saibaba Majha Saibaba | Omkar Mahadik | B♭ Minor | 9 | 3A | 180 BPM | ||
| Dhanya Je Ekti Shivratrichi | Ajit Kadkade | B♭ Major | 6 | 6B | 112 BPM | ||
| Man Se Jo Sai Ka Gungan Karega | Paras Jain | B♭ Major | 5 | 6B | 91 BPM | ||
| Jev Jevan Jagat Me | Rajesh Goswami | F♯ Minor | 7 | 11A | 126 BPM | ||
| Vishvacha Janita | Godavaribai Munde | D♭ Major | 7 | 3B | 169 BPM | ||
| Gaura Tor Angana | Rajni Pallavi | E Major | 3 | 12B | 68 BPM | ||
| Aj Aviyo Anand Ang | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Jai Jai Jinwaani Mata | Rajendra Jain | E♭ Major | 2 | 5B | 113 BPM | ||
| Rakh Sada Tav Charne | Satish Dehra, Foram Maheta | D♭ Major | 5 | 3B | 171 BPM | ||
| Jivo Varsh Hajāro Hajār | BAPS Swaminarayan Sanstha | A♭ Major | 5 | 4B | 100 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Jaya Jaya Jagannath | Sachi kumar Das | D♭ Major | 6 | 3B | 90 BPM | ||
| Shankar Vinay Nirasal | Rajni Pallavi, Shreya Singh | D Major | 6 | 10B | 91 BPM | ||
| jay baldhari bahuchar maa | Hari cassettes | D♭ Major | 4 | 3B | 132 BPM | ||
| Ae Gujjari Mol Amol Humko Makhan Jara Chakhai Dijo | Vijay Soni | G Major | 7 | 9B | 130 BPM | ||
| Utha Utha Swami Samarth | Mahendra Warekar, Ravindra Sathe | A♭ Major | 7 | 4B | 90 BPM | ||
| Jagat Bidit Baidyanath | Vishwanath Mishra | B♭ Major | 3 | 6B | 98 BPM |