"Poèmes de Ronsard pour flûte et voix: I. Rossignol" by Albert Roussel, Michel Moragues, Sandrine Piau had its release date on 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 13 in Debussy - Poulenc - Ravel - Roussel: Musique française pour flûte by Sandrine Piau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Poèmes de Ronsard pour flûte et voix: I. Rossignol is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Poèmes de Ronsard pour flûte et voix: I. Rossignol by Albert Roussel, Michel Moragues, Sandrine Piau is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lekeu: Adagio pour quatuor d'orchestre, Op. 3 | Guillaume Lekeu, Armin Jordan, Orchestre Philharmonique de Monte-Carlo | C Major | 3 | 8B | 123 BPM | ||
| Schoenberg: Suite in the Old Style for String Orchestra: II. Adagio | Arnold Schoenberg, Mario Venzago, Deutsche Kammerphilharmonie Bremen | G Major | 1 | 9B | 101 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| Poulenc: Cello Sonata, FP 143: IV. Finale | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | D♭ Minor | 1 | 12A | 171 BPM | ||
| Poulenc: Cello Sonata, FP 143: I. Allegro - Tempo di marcia | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F Minor | 0 | 4A | 174 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Svanevit Suite, Op. 54: III. Tärnorna med rosor | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| Delius: Irmelin Prelude | Frederick Delius, Sir John Barbirolli, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | B♭ Major | 1 | 6B | 58 BPM | ||
| Respighi: Trittico botticelliano: III. La Nascita di Venere | Ottorino Respighi, Hugh Wolff, Saint Paul Chamber Orchestra | D♭ Minor | 1 | 12A | 112 BPM | ||
| Symphony No. 1, GMW 11: Ia. Langsam. Schleppen | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D♭ Major | 1 | 3B | 80 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone | Karol Szymanowski, Belcea Quartet | F♯ Minor | 1 | 11A | 83 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | B♭ Major | 1 | 6B | 58 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: II. Sonnenaufgang | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | A Major | 3 | 11B | 62 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | B♭ Major | 1 | 6B | 58 BPM | ||
| Souvenir d'un lieu cher, Op. 42, TH 116 (Arr. for Violin & Orchestra by Alexander Glazunov): No. 3, Mélodie | Pyotr Ilyich Tchaikovsky, Natalia Lomeiko, The Russian State Philharmonic, Valery Polyansky | E Minor | 0 | 9A | 82 BPM | ||
| Clarinet Concertino: II. Toada. Andantino non troppo | Francisco Mignone, Ovanir Buosi, Orquestra Sinfônica do Estado de São Paulo, Giancarlo Guerrero | C Major | 2 | 8B | 144 BPM | ||
| Summer Music, Op. 31: III. Faster | Samuel Barber, Ensemble Ouranos | B♭ Major | 1 | 6B | 58 BPM | ||
| Trio for Oboe, Bassoon and Piano: 3. Rondo | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | D♭ Major | 2 | 3B | 71 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Saint-Saëns: Symphony No. 1 in E-Flat Major, Op. 2: III. Adagio | Camille Saint-Saëns, Georges Prêtre, Wiener Symphoniker | E Major | 0 | 12B | 86 BPM |