"Meer der Zeit - "Vocalise"" by Eva Lind had its release date on January 1, 2001. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Sentimento". In this album, this song's track order is #12. Based on our statistics, Meer der Zeit - "Vocalise"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Meer der Zeit - "Vocalise" by Eva Lind having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wir Gehen Zusammen | Eva Lind, Anna Maria Kaufmann | G Major | 7 | 9B | 88 BPM | ||
| Die Himmel rühmen | Der Montanara Chor, Ludwigsburger Blechbläserquintett, Michael Alber (Leitung), Ludwig van Beethoven, Christian Furchtegott Gellert, Dmitry Bortniansky, Jan Willems (Arrangeur) | D Major | 2 | 10B | 102 BPM | ||
| Venezia | Stimmen der Berge | G Major | 5 | 9B | 180 BPM | ||
| Des Sommers letzte Rose | Eva Lind | F Major | 3 | 7B | 136 BPM | ||
| Montes populi plaudite (salmo 46) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Der Freischütz, J. 277 / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen" | Carl Maria von Weber, Eva Lind, Staatskapelle Dresden, Sir Colin Davis | C Major | 1 | 8B | 73 BPM | ||
| Les Voici! Voici La Quadrille (Carmen) | Georges Bizet, Choir and Orchestra of the Budapest State Opera | F Major | 1 | 7B | 77 BPM | ||
| Die Fledermaus, Act I: Terzett. So muss allein ich bleiben (Rosalinde, Adele, Eisenstein) | Johann Strauss II, Friedrich Haider, Paul Armin Edelmann, Aga Mikolaj, Chen Reiss, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| Ka | Baksman | G Minor | 3 | 6A | 81 BPM | ||
| Schenk Mir Liebe | Eva Lind | C Major | 5 | 8B | 80 BPM | ||
| Trois mélodies, Op. 8: No. 3, Ici-bas! | Dilyana Georgieva, Galina Apostolova | C Minor | 3 | 5A | 168 BPM | ||
| Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | ||
| Liebe ist (Perhaps Love) | Die jungen Tenöre | A Major | 5 | 11B | 77 BPM | ||
| Hoffmanns Erzählungen: Menuett Barcarole | Vienna State Opera Orchestra, Josef Drexler | D Major | 1 | 10B | 87 BPM | ||
| Ich Bete An Die Macht Der Liebe/Kolj Slawjen | Der Montanara Chor | F Major | 3 | 7B | 85 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Les oiseaux dans la charmille" | Jacques Offenbach, Eva Lind, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | A♭ Major | 1 | 4B | 103 BPM | ||
| Die Fledermaus, Act I: No. 4, Trio. So muss allein ich bleiben | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 100 BPM | ||
| Elisabethan Serenade | London Festival Symphony Orchestra | F Major | 2 | 7B | 152 BPM | ||
| Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
| Élégie | Dilyana Georgieva, Galina Apostolova | E Minor | 3 | 9A | 85 BPM | ||
| 내 주를 가까이 하게 함은 | 신영옥 | G Major | 2 | 9B | 175 BPM | ||
| Sah ein Knab ein Röslein stehn (Heideröslein) | Menskes Chöre | F♯ Major | 2 | 2B | 109 BPM | ||
| Petite messe solennelle: Credo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | B Major | 1 | 1B | 135 BPM | ||
| Pueri, concinite | Johann Ritter von Herbeck, Daniel Behle, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Helmuth Froschauer | D Major | 3 | 10B | 130 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Ah! mon ami, quel accent!" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Riccardo Cassinelli, Eva Lind, Georges Gautier, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | E Major | 1 | 12B | 65 BPM |