George Frideric Handel, Korkmaz Can Sağlam's 'Keyboard Suite No. 3 in D Minor, HWV 428: III. Allemande' had a release date set for March 22, 2024. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Keyboard Suite No. 3 in D Minor, HWV 428: III. Allemande's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Solace". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Keyboard Suite No. 3 in D Minor, HWV 428: III. Allemande's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Keyboard Suite No. 3 in D Minor, HWV 428: III. Allemande by George Frideric Handel, Korkmaz Can Sağlam having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Valses oubliées, S.215: No. 1 | Franz Liszt, Agnelle Bundervoët | G Minor | 2 | 6A | 74 BPM | ||
| Nocturne P 2 No. 8 in C minor | chopin, Serkmusic | F Minor | 0 | 4A | 62 BPM | ||
| Allegro in D Major, K. 626b/16 | Wolfgang Amadeus Mozart, Roberto Prosseda | D Major | 0 | 10B | 78 BPM | ||
| Lieder ohne Worte Op. 19b, No. 6: Venezianisches Gondellied | Felix Mendelssohn, Alexander Krichel | D Minor | 0 | 7A | 68 BPM | ||
| 4 Sketches, Op. 4, JB 1:66: No. 2 in B Major, Idyll. Moderato ma non troppo | Bedřich Smetana, Jitka Čechová | B Major | 1 | 1B | 94 BPM | ||
| Suite No. 3 in D Minor, HWV 428: VI. Air & Variations | George Frideric Handel, Dina Ugorskaja | D Minor | 2 | 7A | 126 BPM | ||
| Mazurka No. 35 in C Minor, Op. 56 No. 3 | Frédéric Chopin, Rafał Blechacz | C Major | 0 | 8B | 69 BPM | ||
| I. Moderato quasi marcia | Antonín Dvořák, Peter Breiner | D Minor | 1 | 7A | 98 BPM | ||
| Lieder ohne Worte, Op. 19b: No. 2 in A Minor. Andante espressivo, MWV U 80 | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
| ブルクミュラー25の練習曲: 21. 天使の合唱 | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Pièces de Clavecin I, Suite in A Minor, RCT 1: IX. Menuet | Jean-Philippe Rameau, Denys Proshayev | D Major | 1 | 10B | 126 BPM | ||
| Piano Sonata No. 2 in F Major, K. 280: II. Adagio | Wolfgang Amadeus Mozart, Kun-Woo Paik | F Minor | 0 | 4A | 176 BPM | ||
| Keyboard Sonata in G Major, Op. 17, No. 4, W. A10: I. Allegro | Johann Christian Bach, Alberto Nosè | G Major | 1 | 9B | 124 BPM | ||
| ブルクミュラー25の練習曲: 8. 優しく美しく | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 1. L’Istesso Tempo | Max Reger, Marc-André Hamelin | B Minor | 0 | 10A | 71 BPM | ||
| Theme & Variations in F Major | Louise Farrenc, Maria Stratigou | E♭ Major | 3 | 5B | 85 BPM | ||
| D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus) | Jean-Henri d'Anglebert, Alexandre Tharaud | G Minor | 1 | 6A | 70 BPM | ||
| Suite for 2 Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Lucas Jussen, Arthur Jussen | A♭ Major | 0 | 4B | 88 BPM | ||
| 別れ(「森の情景 作品82」から) | Robert Schumann, 石井琢磨 | B♭ Major | 0 | 6B | 144 BPM | ||
| Saint-Saëns: 6 Études pour la main gauche seule, Op. 135: VI. Gigue | Camille Saint-Saëns, Aldo Ciccolini | G Major | 2 | 9B | 162 BPM | ||
| 12 Monferrinas, Op. 49: VI. Allegro | Muzio Clementi, Howard Shelley | D Minor | 0 | 7A | 67 BPM | ||
| Suite for Orchestra No. 2 in B Minor, BWV 1067: Rondeau | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra | A♭ Major | 3 | 4B | 114 BPM | ||
| Sonata del Mar | roy valdeleon, Roy Valdeleon Chipana, Rodamen | A Major | 5 | 11B | 105 BPM | ||
| Liszt: Grandes études de Paganini, S. 141: No. 4 in E Major | Franz Liszt, Mariam Batsashvili | E Major | 3 | 12B | 83 BPM | ||
| ブルクミュラー25の練習曲: 12. 別れ | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM |