"Candide, Act I (Remastered): You were Dead, You Know" by Leonard Bernstein, Robert Rounseville, Barbara Cook, Samuel Krachmalnick, Candide Orchestra had its release date on January 19, 2018. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Candide, Act I (Remastered): You were Dead, You Know's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 16 in Candide (Original Broadway Cast Recording) by Leonard Bernstein. In terms of popularity, Candide, Act I (Remastered): You were Dead, You Know is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide, Act I (Remastered): You were Dead, You Know by Leonard Bernstein, Robert Rounseville, Barbara Cook, Samuel Krachmalnick, Candide Orchestra is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
| Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
| Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 98 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace - 2017 Remastered Version | Gustav Holst, Leonard Bernstein, New York Philharmonic | B♭ Minor | 0 | 3A | 70 BPM | ||
| La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
| Symphony No. 29 in A Major, K. 201: I. Allegro moderato | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | A Major | 1 | 11B | 124 BPM | ||
| Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 96 BPM | ||
| Wagner: Tristan und Isolde: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker | C Major | 2 | 8B | 177 BPM | ||
| Spartacus: Scene and Dance With Crotalums | Aram Khachaturian, Wiener Philharmoniker | C Major | 5 | 8B | 74 BPM | ||
| Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
| Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Minor | 4 | 3A | 109 BPM | ||
| Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
| Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
| Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Leonard Bernstein, New York Philharmonic | E♭ Minor | 2 | 2A | 113 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Leonard Bernstein, New York Philharmonic | B♭ Minor | 0 | 3A | 77 BPM | ||
| Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
| Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | E Major | 1 | 12B | 79 BPM | ||
| Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
| Fanfare for the Common Man | Aaron Copland, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 113 BPM | ||
| West Side Story Symphonic Dances: II. Somewhere - Live | Leonard Bernstein, Los Angeles Philharmonic | E Major | 0 | 12B | 69 BPM | ||
| Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic, David Nadien, William Vacchiano | D Major | 0 | 10B | 94 BPM | ||
| VII. Introduction (Prelude) | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D Minor | 3 | 7A | 78 BPM |